CARNEGIE HALL PRESENTS
Performance Thursday, Nov 12, 2009 | 8 PM

Berliner Philharmoniker

Stern Auditorium / Perelman Stage
The innocence, joy, and romance of the Brahms Second Symphony still resonate with us in the 21st century. But here—as part of the Berliner Philharmoniker's joint Brahms-Schoenberg exploration—it's joined by two electrifying works that could only have been written in the modern era. The Chamber Symphony resembles a miniature Mahler symphony, and in Erwartung, an opera for a single singer, Schoenberg said he tried "to represent in slow motion everything that occurs in a single second of maximum spiritual excitement."

Performers

  • Berliner Philharmoniker
    Sir Simon Rattle, Music Director and Conductor
  • Evelyn Herlitzius, Soprano

Program

  • SCHOENBERG Chamber Symphony No. 1, Op. 9b
  • SCHOENBERG Erwartung
  • BRAHMS Symphony No. 2

  • Program is approximately 2 hours, including one intermission

Bios

  • THE ARTISTS

    Sir Simon Rattle


    Born in Liverpool in 1955, Sir Simon Rattle has been Principal Conductor of the Berliner Philharmoniker and Artistic Director of the Berliner Philharmonie since September 2002.

    After studying at the Royal Academy of Music in London, he took on various engagements in England and the US, where he was principal guest conductor of the Los Angeles Philharmonic. He was 25 when he began his close association with the City of Birmingham Symphony Orchestra (CBSO), first as principal conductor and artistic adviser, then—until the 1998 season—as musical director. His tireless work and visionary artistic projects helped turn the CBSO into one of the world’s top-ranked orchestras.

    In the concert hall and opera house, Simon Rattle’s extensive repertoire ranges from the Baroque era to contemporary music. He is also Principal Guest Conductor of the Orchestra of the Age of Enlightenment and works with leading orchestras on both sides of the Atlantic. Even before taking up his post as Principal Conductor, Simon Rattle had already collaborated regularly with the Berliner Philharmoniker for 15 years. Of the many recordings he has made with the orchestra, several have received prestigious awards. All of these releases were recorded live at the Philharmonie.

    One of Sir Simon’s special passions is for bringing the work and music of the Berliner Philharmoniker to young people of diverse social and cultural backgrounds. To that end, he has established the education program Zukunft@BPhil, which enables the orchestra to pursue new approaches to promote its music. In 1994, Simon Rattle was knighted by Queen Elizabeth and has since received numerous distinctions. For his commitment to outreach work, Simon Rattle was awarded a Golden Camera and the Urania Medal in 2007.


    Berliner Philharmoniker

    The Berliner Philharmoniker, long considered one of the world’s finest orchestras, was founded in 1882 as a self-governing body. Its current artistic director is Sir Simon Rattle, who was appointed in September 2002.

    The orchestra gave its first concert on October 17, 1882, under conductor Ludwig von Brenner, who was chosen by the musicians themselves. His successor, Hans von Bülow, went on to turn the Berliner Philharmoniker into one of Germany’s leading orchestras. Under Arthur Nikisch (1895–1922), its repertory grew to include works by Bruckner, Tchaikovsky, Mahler, Strauss, Ravel, and Debussy. On Nikisch’s death, the then 36-year-old Wilhelm Furtwängler took over as principal conductor. Furtwängler concentrated on Classical and German Romantic repertoire, but also performed contemporary pieces. At the end of World War II, Leo Borchard became the orchestra’s principal conductor; following Borchard’s death in August 1945, the young Romanian conductor Sergiu Celibidache became artistic director. Furtwängler returned as chief conductor in 1952. The postwar period also saw the founding, in 1949, of the Society of Friends of the Berliner Philharmonie, which in subsequent years sponsored the building of the new Philharmonie and continues to provide the hall with financial support.

    When Furtwängler died in 1954, Herbert von Karajan became the permanent conductor and artistic director. In the ensuing decades, he worked with the orchestra to develop a distinctive tonal quality and performing style that made the Berliner Philharmoniker famous all over the world. In October 1989, the players appointed Claudio Abbado their new principal conductor. Abbado devised a new type of programming that included thematic cycles of contemporary works performed alongside standard repertoire. An increased number of chamber recitals and concert performances of operas provided further distinction and variety to the orchestra’s activities.

    With the appointment of Sir Simon Rattle, the orchestra began introducing a number of innovations. The orchestra’s change of status to a charitable foundation (the Stiftung Berliner Philharmoniker) has created new opportunities and ensured the economic future the ensemble’s 129 full-time members. The foundation is supported by the generosity of its principal sponsor, Deutsche Bank. Central to this support is the orchestra’s education program, Zukunft@BPhil, which was set up at the time of Sir Simon’s appointment and which is intended to ensure that the orchestra reaches a broader and younger audience. Within the history of the Berliner Philharmoniker, this signifies an important expansion of the orchestra’s cultural mission, one to which it commits itself with unswerving dedication. In recognition of this commitment, the Berliner Philharmoniker and Sir Simon Rattle were named international UNICEF Goodwill Ambassadors in 2007—the first time this distinction has ever been bestowed upon an artistic ensemble.


    BERLINER PHILHARMONIKER

    Sir Simon Rattle, Music Director

    FIRST VIOLIN
    Guy Braunstein, First Concertmaster
    Daishin Kashimoto, First Concertmaster
    Daniel Stabrawa, First Concertmaster
    Rainer Sonne, Concertmaster
    Zoltán Almási
    Maja Avramović
    Simon Bernardini
    Wolfram Brandl
    Peter Brem
    Armin Brunner
    Andreas Buschatz
    Alessandro Cappone
    Madeleine Carruzzo
    Aline Champion
    Felicitas Clamor-Hofmeister
    Laurentius Dinca
    Sebastian Heesch
    Aleksandar Ivić
    Rüdiger Liebermann
    Kotowa Machida
    Helmut Mebert
    Bastian Schäfer

    SECOND VIOLIN
    Christian Stadelmann, First Principal
    Thomas Timm, First Principal
    Christophe Horak, Principal
    Daniel Bell
    Holm Birkholz
    Philipp Bohnen
    Stanley Dodds
    Cornelia Gartemann
    Amadeus Heutling
    Rainer Mehne
    Christoph von der Nahmer
    Raimar Orlovsky
    Bettina Sartorius
    Rachel Schmidt
    Armin Schubert
    Stephan Schulze
    Christoph Streuli
    Eva-Maria Tomasi
    Romano Tommasini

    VIOLA
    Neithard Resa, First Principal
    Naoko Shimizu, Principal
    Wilfried Strehle, Principal
    Micha Afkham
    Julia Gartemann
    Matthew Hunter
    Ulrich Knörzer
    Sebastian Krunnies
    Walter Küssner
    Martin von der Nahmer
    Zdzisław Polonek
    Martin Stegner
    Wolfgang Talirz

    CELLO
    Georg Faust, First Principal
    Ludwig Quandt, First Principal
    Martin Löhr, Principal
    Olaf Maninger, Principal
    Richard Duven
    Rachel Helleur
    Christoph Igelbrink
    Solène Kermarrec
    Martin Menking
    David Riniker
    Nikolaus Römisch
    Dietmar Schwalke
    Knut Weber

    BASS
    Matthew McDonald, First Principal
    Janne Saksala, First Principal
    Esko Laine, Principal
    Fora Baltacigil
    Martin Heinze
    Wolfgang Kohly
    Peter Riegelbauer
    Edicson Ruiz
    Janusz Widzyk
    Ulrich Wolff

    FLUTE
    Andreas Blau, Principal
    Emmanuel Pahud, Principal
    Prof. Michael Hasel
    Jelka Weber

    OBOE
    Jonathan Kelly, Principal
    Albrecht Mayer, Principal
    Christoph Hartmann
    Andreas Wittmann
    Dominik Wollenweber, English Horn

    CLARINET
    Wenzel Fuchs, Principal
    Alexander Bader
    Walter Seyfarth
    Manfred Preis, Bass Clarinet

    BASSOON
    Daniele Damiano, Principal
    Stefan Schweigert, Principal
    Mor Biron
    Markus Weidmann
    Marion Reinhard, Contrabassoon

    HORN
    Radek Baborak, Principal
    Stefan Dohr, Principal
    Stefan de Leval Jezierski
    Fergus McWilliam
    Georg Schreckenberger
    Klaus Wallendorf
    Sarah Willis

    TRUMPET
    Gábor Tarkövi, Principal
    Tamás Velenczei, Principal
    Thomas Clamor
    Georg Hilser
    Guillaume Jehl
    Martin Kretzer

    TROMBONE
    Prof. Christhard Gössling, Principal
    Olaf Ott, Principal
    Thomas Leyendecker
    Stefan Schulz
    Jesper Busk Sörensen

    TUBA
    Paul Hümpel
    Alexander von Puttkamer

    TIMPANI
    Rainer Seegers
    Wieland Welzel

    PERCUSSION
    Raphael Haeger
    Simon Rössler
    Franz Schindlbeck
    Jan Schlichte

    HARP
    Marie-Pierre Langlamet

    CHAIRMEN
    Stefan Dohr
    Andreas Wittmann

    MEDIA CHAIRMEN
    Olaf Maninger
    Emmanuel Pahud

    ORCHESTRA COMMITTEE
    Stanley Dodds
    Ulrich Knörzer
    Nikolaus Römisch
    Christian Stadelmann
    Martin Stegner
    More Info


The Carnegie Hall presentations of the Berliner Philharmoniker are made possible by a leadership gift from the Anna-Maria and Stephen Kellen Foundation.
This performance is part of the series.

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