CARNEGIE HALL PRESENTS
Performance Sunday, Jan 31, 2010 | 8 PM

Chicago Symphony Orchestra

Stern Auditorium / Perelman Stage
Three pictures in sound: Boulez gives us a line drawing, in a single color, using only strings; Bartók unfolds more colors of the orchestra, against the black and white of pianos and percussion; and Stravinsky pulls out all the stops, presenting a romantic extravaganza and using every shade in his rich orchestral palette to paint a picture of monstrous demons, heroic action, and a magical bird.

Performers

  • Chicago Symphony Orchestra
    Pierre Boulez, Conductor Emeritus
  • Pierre-Laurent Aimard, Piano
  • Tamara Stefanovich, Piano

Program

  • PIERRE BOULEZ Livre pour cordes
  • BARTÓK Concerto for Two Pianos, Percussion, and Orchestra
  • STRAVINSKY The Firebird (complete)

  • Program is approximately 1 hour, 50 minutes, including one intermission

Bios

  • Pierre Boulez, Conductor Emeritus

    Appointed the Chicago Symphony Orchestra’s Helen Regenstein Conductor Emeritus in 2006, composer-conductor Pierre Boulez is one of the most important musical and intellectual figures of our time. Mr. Boulez was named principal guest conductor of the CSO in March 1995. This year, the music world celebrates his 85th birthday.

    Born in 1925 in Montbrison, France, Mr. Boulez studied piano, composition, and choral conducting at the Paris Conservatory, where his teachers included Olivier Messiaen and René Leibowitz. In 1954, he founded the Concerts du Petit Marigny, one of the first concert series dedicated to modern music, which later became the Domaine Musical series. In the next decade, he was involved with musical analysis, and he taught in Darmstadt and at Basel University. In 1963, he was a visiting professor at Harvard University, and in 1976, he became a professor at the Collège de France.

    Mr. Boulez began his conducting career in 1958 with the Southwest German Radio Symphony Orchestra. In 1965, George Szell invited him to conduct in the US for the first time with the Cleveland Orchestra; he subsequently held posts there as principal guest conductor and musical advisor from 1969 until 1972. In 1971, he became chief conductor of the BBC Symphony Orchestra; that same year, he became music director of the New York Philharmonic, a position he held until 1977.

    His difference of opinion about state intervention in the arts in France led Mr. Boulez into voluntary exile for several years. He returned to France in 1974, when the government invited him to be creator and director of a music research center at the Pompidou Centre. From the Institut de Recherche et de Coordination Acoustique/Musique sprang the creation of a major instrumental group, the Ensemble Intercontemporain. Mr. Boulez also is cofounder of Cité de la Musique, a music center in Paris created in 1995.

    Mr. Boulez’s numerous compositions are widely performed, including Le Marteau sans maître, Pli selon pli, three piano sonatas, Le Visage nuptial, Répons, . . . explosante-fixe . . . , and Notations. Mr. Boulez has published five books about music. His many awards and honors include honorary doctorates from Leeds, Cambridge, Basel, and Oxford universities, among others; Commander of the British Empire; Knight of the Order of Merit of the Federal Republic of Germany; and 26 Grammy awards.



    Chicago Symphony Orchestra

    In its second century, the Chicago Symphony Orchestra holds an enviable position in the music world, with performances greeted by enthusiastic audiences both at home and abroad.

    The Chicago Symphony Orchestra currently enjoys a unique leadership among international orchestras, with three of the world’s most celebrated conductors at its helm. Eminent Dutch conductor Bernard Haitink became principal conductor in 2006 and will conclude his successful tenure at the end of the 2009–2010 season. Renowned French composer and conductor Pierre Boulez—whose longstanding relationship with the CSO led to his appointment as principal guest conductor in 1995—was named Helen Regenstein Conductor Emeritus in 2006. In May 2008, Riccardo Muti was appointed the orchestra’s 10th music director. Maestro Muti currently serves as Music Director Designate, and will begin his tenure as Music Director in September 2010.

    The CSO’s self-produced weekly radio program, the Chicago Symphony Orchestra Radio Broadcast Series, hit the national airwaves in April 2007 and is now syndicated to more than 200 markets nationwide on the WFMT Radio Network. These broadcasts offer a new and distinctive approach to classical music radio, with lively and engaging content designed to provide deeper insight and offer further connection to the music performed in the Orchestra’s concert season.

    Recordings have been an important part of the CSO’s activities. Since 1916, the orchestra has amassed a discography numbering more than 900. Recordings by the CSO have earned 60 Grammy Awards from the National Academy of Recording Arts and Sciences—more than any other orchestra in the world. CSO Resound, the Orchestra’s in-house label for CD and digital download releases, was launched in May 2007. The CSO Resound recording of Shostakovich’s Fourth Symphony with Haitink, which includes a DVD Beyond the Score presentation, won the 2008 Grammy for Best Orchestral Performance.
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  • Pierre-Laurent Aimard, Piano

    Pierre-Laurent Aimard enjoys an internationally celebrated career that transcends traditional boundaries. Performing throughout the world each season with its most significant orchestras and conductors, in recent seasons Mr. Aimard also has been invited by Carnegie Hall, the Konzerthaus in Vienna, the Berliner Philharmoniker, Palais Garnier / Opéra de Paris, Lucerne Festival, Mozarteum Salzburg, the Cleveland Orchestra, and the Cité de la Musique in Paris to devise groundbreaking “carte blanche” and residential projects, performing in chamber music, lieder, solo piano, and orchestral programs.

    In 2009, Mr. Aimard assumed the title of Artistic Director at the Aldeburgh Festival, while continuing as Artistic Partner with the Saint Paul Chamber Orchestra. Through professorships at the Hochschule Köln and Conservatoire de Paris, as well as concert lectures and workshops worldwide, he sheds an inspiring and very personal light on music from all periods. In 2009 he gave a series of classes and seminars at the Collège de France.

    He now records exclusively for Deutsche Grammophon Gesellschaft, and his first DGG release, Bach’s Art of Fugue, received the Diapason d’Or and the Choc du Monde de la Musique, debuted at No. 1 on Billboard’s classical chart, and topped the classical album download chart on iTunes US. His recording of Ives’s “Concord” Sonata and songs with Susan Graham won a Grammy Award in 2005.

    The recipient of the Royal Philharmonic Society’s Instrumentalist Award in spring 2005, Mr. Aimard was named Musical America’s Instrumentalist of the Year in 2007.

    Born in Lyon, France, Pierre-Laurent Aimard studied at the Conservatoire de Paris with Yvonne Loriod and in London with Maria Curcio. Early career landmarks included winning first prize in the 1973 Messiaen Competition and being appointed at age 19 by Pierre Boulez to become the Ensemble InterContemporain’s first solo pianist.
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  • Tamara Stefanovich, Piano

    Tamara Stefanovich is a frequent performer at the world’s major concert venues including Carnegie Hall, the Cologne Philharmonie, Salzburg Mozarteum, Vienna Konzerthaus, Paris’s Théâtre du Châtelet, and London’s Royal Festival and Wigmore halls. She has appeared at numerous international festivals such as Aldeburgh, La Roque d’Anthéron, Klangspuren, Lucerne, and Ojai.

    Highlights of the current season include performances with the Philharmonia Orchestra under Esa-Pekka Salonen, Stavanger Symphony Orchestra under Eivind Aadland, London Philharmonic Orchestra under Vladimir Jurowski (at the BBC Proms), and the Britten Sinfonia under Pierre-Laurent Aimard. She also will present an All-Bach Partitas project and make her recital debut at the Concertgebouw in November 2010.

    Ms. Stefanovich has led workshops and master classes at such centers as the Barbican in London, and she has participated in educational projects with the Philharmonie Cologne, Luxembourg Philharmonie, and at Klavier-Festival Ruhr. Ms. Stefanovich is also involved in creative projects such as collaborations with DJ Jimi Tenor and performances with actors and dance companies.

    Ms. Stefanovich has made a number of recordings for the AVI label including a live recital of Rachmaninoff’s etudes and music by Ligeti as well as works by Bach, Mozart, and Haydn. She has presented premieres by Yörk Holler and Marco Stroppa.

    Tamara Stefanovich started her piano education with Miroslava Lili Petrovi?. She gave her first public recital at the age of seven, and at the age of 13, she became the youngest student at the University of Belgrade. She received a master’s degree in piano at the age of 19. She continued her education at the Curtis Institute with Claude Frank, and subsequently studied with Pierre-Laurent Aimard at the Cologne Hochschule, where she is on the faculty.
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This performance is part of the and series.

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