CARNEGIE HALL PRESENTS
Performance Tuesday, Feb 16, 2010 | 8 PM

Royal Concertgebouw Orchestra

Stern Auditorium / Perelman Stage
Sumptuous music of the Romantic repertoire from two of its greatest exponents. Sibelius is the grander of the two, and Rachmaninoff the more yearning. But both are unapologetic writers of melody and speak with pure emotion, directly to the heart.

Performers

  • Janine Jansen, Violin
  • Royal Concertgebouw Orchestra
    Mariss Jansons, Chief Conductor

Program

  • SIBELIUS Violin Concerto
  • RACHMANINOFF Symphony No. 2 in E Minor

  • Encores:
  • PROKOFIEV Commodo (quasi Allegretto) from Sonata for Two Violins in C Major, Op. 56 (with Royal Concertgebouw Orchestra Concertmaster Vesko Eschkenazy)
  • SIBELIUS Valse triste, Op. 44, No. 1

  • Program is approximately 2 hours, including one intermission

Bios

  • Janine Jansen, Violin

    Dutch-born Janine Jansen made her Concertgebouw debut in 1997 and has since been internationally recognized as one of the great violinists. Following her London debut in 2002 with the Philharmonia Orchestra conducted by Vladimir Ashkenazy, she was invited to perform with the Royal Concertgebouw Orchestra, Berliner Philharmoniker, London Symphony Orchestra, New York Philharmonic, Philadelphia and Cleveland orchestras, and the NHK Symphony Orchestra, among others. She has also worked with such eminent conductors as Lorin Maazel, Valery Gergiev, Riccardo Chailly, Neeme Järvi, and Esa-Pekka Salonen.

    Ms. Jansen has an exclusive recording contract with Decca (Universal Music). Each one of her five albums was awarded a Platinum Disc for sales in the Netherlands. Her latest release is a recording of the Tchaikovsky Violin Concerto and Souvenir d'un lieu cher with the Mahler Chamber Orchestra and Daniel Harding.

    Highlights of the 2009–2010 season include performances with the Berliner Philharmoniker, London Symphony Orchestra, Philharmonia Orchestra, Orchestre de Paris, and The Philadelphia Orchestra. She tours Spain and the US with the RCO under Mariss Jansons, which follows another US tour with the Orpheus Chamber Orchestra earlier in the season. Tours with the HR-Sinfonieorchester, the Chamber Orchestra of Europe, and the Academy of St. Martin in the Fields are also planned.

    This season, Ms. Jansen has been invited to curate a Carte Blanche series at the Concertgebouw that includes an innovative choreography project with regular chamber partners Martin Fröst and Itamar Golan, and choreographers Emio Greco and Pieter Scholten; an education project with Aleksey Igudesman; and concerts with Münchner Philharmoniker.

    A devoted performer of chamber music, Ms. Jansen established and curates the annual International Chamber Music Festival in Utrecht. Since 1998, she has also been a member of Spectrum Concerts Berlin, an important chamber music series at the Philharmonie (Berlin). Her chamber partners include Leif Ove Andsnes, Jean-Yves Thibaudet, Mischa Maisky, and Julian Rachlin.

    Ms. Jansen studied with Coosje Wijzenbeek, Philipp Hirshhorn, and Boris Belkin. A former BBC New Generation Artist, she received the Dutch Music Prize from the Ministry of Culture—the highest distinction an artist can receive in the Netherlands—in 2003. Her other awards include the Edison Classic Public Award, an Echo Award, an NDR Musikpreis, and an RPS Music Award. She performs on a violin made by Antonio Stradivari, the "Barrere" (Cremona, 1727), on extended loan from the Elise Mathilde Fund.
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  • Mariss Jansons, Chief Conductor

    "The most important thing is absolute commitment to the orchestra." With these words, Mariss Jansons described his role as Chief Conductor of the Royal Concertgebouw Orchestra, a position he has held for the last five years. He is the sixth conductor to have held this post since the orchestra was founded in 1888. Originally from Latvia, Mr. Jansons studied violin and conducting in Leningrad, and continued his studies with Hans Swarowsky in Vienna and Herbert von Karajan in Salzburg. In 1973, he was appointed Yevgeny Mravinsky's assistant with the St. Petersburg Philharmonic Orchestra, which his father, Arv?ds, had also conducted.

    From 1979 to 2000, Mr. Jansons served as music director of the Oslo-Filharmonien and brought it to great international acclaim. He has made numerous appearances throughout the world as a guest conductor of the Berliner Philharmoniker and the Vienna and London philharmonic orchestras, as well as the leading orchestras in the US. He was appointed music director of the Pittsburgh Symphony Orchestra in 1997, and Music Director of the Bavarian Radio Symphony Orchestra in 2003. He relinquished his post in Pittsburgh in 2004 to assume the position of Chief Conductor of the Royal Concertgebouw Orchestra, having previously made guest appearances with the RCO nearly every year since his first performance with the orchestra in 1988.

    Mr. Jansons has received various distinctions for his achievements, including the Star of the Royal Norwegian Order of Merit, conferred on him by His Majesty King Harald V of Norway. He is an honorary member of the Royal Academy of Music in London and the Gesellschaft der Musikfreunde in Vienna. Latvia's highest honor, the Three-Star Order, was conferred on him in 2006.



    Royal Concertgebouw Orchestra

    Established in 1888, the Royal Concertgebouw Orchestra is one of the world's most prestigious symphony orchestras. Composer and conductor Richard Strauss described it as "magnificent, full of youthful vigor and enthusiasm" in 1897. The orchestra was conferred Royal status by Queen Beatrix of the Netherlands in 1988.

    The RCO's character has been shaped by several generations of musicians, a longstanding collaboration with each of the six chief conductors since its founding, and the unique acoustic properties of the Concertgebouw's main hall. The orchestra has gained widespread acclaim for its velvety strings, golden brass, and an exceptional and personal timbre of its woodwinds.

    During the leadership of chief conductor Willem Mengelberg (1895–1945), composers such as R. Strauss, Mahler, Debussy, and Stravinsky conducted the ROC. Other luminaries—such as Bartók, Rachmaninoff, and Prokofiev—performed their own works as soloists. This crucial bond with contemporary composers continued with Bruno Maderna, Witold Lutoslawski, Peter Schat, Otto Ketting, and Luciano Berio, and continues with Hans Werner Henze, Pierre Boulez, and John Adams, among others.

    The RCO's interpretations of the late Romantic repertoire have earned it great international acclaim. It began a tradition of performing Mahler through performances led by the composer himself, and continued it under Bernard Haitink through recordings of the complete symphonies and the Christmas Matinée concert series of Mahler works. Under the leadership of Eduard van Beinum (1945–1959), the symphonies of Anton Bruckner also became a vital part of the orchestra's repertoire.

    The arrival of Chief Conductor Mariss Jansons in 2004 marked a new phase for the RCO, which has expanded its repertoire to include such major 20th-century composers as Shostakovich and Messiaen. Mr. Jansons has also conducted a broad repertoire that ranges from Haydn and Mozart, to contemporary Dutch compositions and a commissioned work by Henze.

    The Royal Concertgebouw Orchestra has made over 1,100 audio and video recordings. Its remarkable list of guest conductors includes Arthur Nikisch, Karl Muck, Bruno Walter, Otto Klemperer, Rafael Kubelik, Pierre Monteux, Eugen Jochum, Karl Böhm, Herbert von Karajan, Sir Georg Solti, George Szell, Carlos Kleiber, and Leonard Bernstein, among many others. It makes its home at the Concertgebouw in Amsterdam, a concert hall designed by architect A. L. van Gendt.
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Sponsored by Toshiba Corporation
This performance is part of the series.

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