CARNEGIE HALL PRESENTS
Performance Monday, Mar 1, 2010 | 8 PM

Minnesota Orchestra

Stern Auditorium / Perelman Stage
Both these works are huge: the Große Fuge in its grand audacity, and Kullervo—a character from the Kalevala, a harrowing tale from Finnish folklore—in its epic scope and brazen audacity. Both were also neglected in their time, the Beethoven because it was thought to be too difficult, and Kullervo because Sibelius himself withdrew it. Only now do they flourish, with Kullervo recognized as Finland’s great musical epic.

Performers

  • Hannu Niemelä, Baritone
  • Minnesota Orchestra
    Osmo Vänskä, Music Director and Conductor
  • Päivi Nisula, Soprano
  • YL Male Voice Choir
    Matti Hyökki, Chorus Master

Program

  • BEETHOVEN Große Fuge, Op. 133 (arr. Michael Steinberg)
  • SIBELIUS Kullervo, Op. 7

  • Encore:
  • SIBELIUS Finlandia, Op. 26

  • Program is approximately 2 hours, including one intermission

Bios

  • Hannu Niemelä

    Finnish baritone Hannu Niemelä, lauded for his performances in opera houses throughout Europe and the US, has achieved particular renown for the Verdi and Wagner roles he has sung with the Finnish National Opera and at the Savonlinna Opera Festival. During the Finnish National Opera's 2009–2010 season, he is featured singing the title role in Rigoletto, Renato in Un ballo in maschera, and Carlo Gérard in Giordano's Andrea Chénier. In recent seasons, Mr. Niemelä has performed such major roles as Amonasro in Aida, Kurwenal in Tristan und Isolde, Dr. Schön in Berg's Lulu, and Barak in Strauss's Die Frau ohne Schatten, among other roles. In 2001, he drew international attention for his portrayal of Klinghoffer in the first revival of John Adams's opera The Death of Klinghoffer since its premiere a decade earlier. He is also active in the concert hall, singing lieder as well as sacred works. Mr. Niemelä has made several recordings, singing lead roles in Chausson's Le Roi Arthus, Rosenfeld's Kniefall in Warschau, Bloch's Macbeth, and Olli Kortekangas's Messenius and Lucia. He was named Artist of the Year at the Savonlinna Opera Festival in 1999. For eight years, he was artistic director of the Vexilla Regis music festival in Lohtaja, Finland. He studied at the Sibelius Academy and Opernhaus Zürich's International Opera Studio.
    More Info

  • Osmo Vänskä

    Osmo Vänskä, who in 2003 became the Minnesota Orchestra's 10th Music Director, is recognized for his compelling interpretations of the standard, contemporary, and Nordic repertoires. During his Minnesota tenure, he has drawn acclaim for performances at home and abroad, including concert tours to European music capitals in 2004 and 2009, a tour of major European festivals in 2006, and numerous performances throughout Minnesota. Mr. Vänskä has recorded the complete Beethoven symphonies with the orchestra for the Swedish label BIS in a five-year, five-disc cycle, with each album garnering superlative international reviews and two—one of the Ninth Symphony and one of the Second and Seventh—receiving Grammy and Classic FM Gramophone award nominations, respectively. He and the orchestra have launched several additional recording projects, among which are cycles of the complete Beethoven piano concertos with Yevgeny Sudbin and of Tchaikovsky's
    piano-and-orchestra works with Stephen Hough.

    As a guest conductor, Mr. Vänskä has led all the major American orchestras, as well as European and Asian ensembles, including the Berliner Philharmoniker, Leipzig Gewandhaus Orchestra, London Philharmonic Orchestra, Orchestre national de France, Royal Concertgebouw Orchestra, and Yomiuri Nippon Symphony Orchestra. Mr. Vänskä began his music career as a clarinetist, holding major posts with orchestras in his native Finland. For two decades, he was music director of the Lahti Symphony Orchestra, which he transformed into one of Finland's flagship orchestras, attracting worldwide attention for performances and for award-winning Sibelius recordings on the BIS label. By 2008, when he was named Lahti's conductor laureate, he had also completed a five-year tenure as chief conductor of the BBC Scottish Symphony Orchestra of Glasgow. Since arriving in Minnesota, he has again taken up his original instrument, performing as a clarinetist in chamber ensembles at Orchestra Hall, other Twin Cities venues, Napa Valley's Music in the Vineyards, the Grand Teton Music Festival, and the Mostly Mozart Festival, where he also conducts each summer. Mr. Vänskä has extended his tenure with the Minnesota Orchestra through 2015.



    Minnesota Orchestra

    The Minnesota Orchestra is recognized for its distinguished performances around the world, award-winning recordings, radio broadcasts, and commitment to building the repertoire of the future. Founded as the Minneapolis Symphony Orchestra in 1903, the ensemble played its first regional tour in 1907, debuted at Carnegie Hall in 1912, and has returned for regular New York performances ever since. The orchestra, known since 1968 as the Minnesota Orchestra, has toured Australia, Canada, Europe, the Far East, Latin America, and the Middle East. Its first nine music directors included Eugene Ormandy, Dimitri Mitropoulos, Antal Dorati, Stanis?aw Skrowaczewski, Neville Marriner, and Edo de Waart. In 2003, the orchestra welcomed its 10th music director, Finnish conductor Osmo Vänskä, who guides a season encompassing nearly 200 concerts that are attended by 400,000 individuals, and education and outreach programs that serve 85,000 music lovers of all ages. Hundreds of thousands also hear the orchestra through live regional broadcasts, SymphonyCast, Performance Today, and a regular broadcast series on BBC Radio's Performance on 3.

    In the early 1920s, the Minnesota Orchestra became one of the first ensembles to be heard on recordings and radio. Its landmark Mercury Living Presence LP recordings of the 1950s and 1960s have been reissued on compact disc to great acclaim. Most recently, the orchestra's cycle of the complete Beethoven symphonies has been hailed internationally, and it has undertaken new Beethoven, Tchaikovsky, and Bruckner recording projects.

    Since its inception, the orchestra has nourished a strong commitment to contemporary composers, premiering and/or commissioning nearly 300 compositions. Among these are works by John Adams, Aaron Copland, John Corigliano, Charles Ives, Libby Larsen, Stephen Paulus, and Ellen Taaffe Zwilich, as well as Composer Laureate Dominick Argento, Conductor Laureate Stanis?aw Skrowaczewski, and Aaron Jay Kernis, who directs the orchestra's annual Composer Institute, a nationally noted professional training program for emerging composers. The orchestra has received 18 awards for adventuresome programming from the American Society of Composers, Authors and Publishers (ASCAP), including three consecutive Leonard Bernstein Awards for Educational Programming and, in 2008, the John S. Edwards Award for Strongest Commitment to New American Music. Visit minnesotaorchestra.org for more information.
    More Info

  • Päivi Nisula

    Päivi Nisula is among the leading opera talents of her native Finland. She has earned acclaim in many productions with the Finnish National Opera and at the Savonlinna Opera Festival, and she enjoys similar success on the concert stage. She launched her career as a mezzo-soprano, and has drawn special praise for her portrayals of Brangäne in Tristan und Isolde, Princess Eboli in Don Carlo, Fenena in Nabucco, and Amneris in Aida. In recent years, she has added several soprano roles to her repertoire, including the title character in Tosca, Kundry in Parsifal, and Ritta in Joonas Kokkonen's The Last Temptations. Earlier this season, Ms. Nisula sang the Foreign Princess in the Finnish National Opera's staging of Dvorák's Rusalka; in 2009, she played the lead female role of Riika in Aulis Sallinen's The Red Line with the same company. Her concert engagements have taken her throughout Scandinavia, Germany, Spain, Malaysia, and the US. She has performed Sibelius's Kullervo in Tokyo, Glasgow, and Birmingham (UK), as well as Mahler symphonies in San Jose and Berlin, and Schoenberg's Gurrelieder with Germany's MDR Symphony Orchestra. Ms. Nisula, who began her musical training as a pianist, was voted Finland's Opera Soloist of the Year in 1993 after successful debuts in Tampere, Finland, and at the Savonlinna Opera Festival.
    More Info

  • YL Male Voice Choir

    Finland's YL Male Voice Choir (Ylioppilaskunnan Laulajat) is internationally recognized for its performances and recordings of a cappella and symphonic repertoire. It has commissioned, premiered, and/or recorded hundreds of new choral works since its founding in 1883. Many of Sibelius's works for male choir were written for the ensemble, which continues to be known as that composer's standard bearer and a pioneer in contemporary choral music; in recent years, Einojuhani Rautavaara is among the composers who have dedicated time to writing for YL.


    The oldest Finnish-language choral ensemble, YL earned a Grammy nomination for its recording of Sibelius's Kullervo with the Bournemouth Symphony Orchestra, as well as two Gramophone Award nominations for recordings of the work with the Los Angeles Philharmonic, and Osmo Vänskä and the Lahti Symphony Orchestra, respectively. Among YL's additional initiatives is a project to record all works for male choir by the masters of the Finnish National Romantic period. This "Finnish National Library" comprises nearly 240 songs by Sibelius, Leevi Madetoja, Toivo Kuula, and Selim Palmgren. Visit yl.fi for more information.

    Since 1980, YL has been led by Chorus Master Matti Hyökki, a central figure in Finnish choral music. Now professor of choral conducting at the Sibelius Academy, he has also been chorus master for the Finnish National Opera and conductor of the Savonlinna Opera Festival Choir. He is in demand as a jury member in international choral competitions and an inspiring leader of workshops with YL at international choral conferences.
    More Info

This performance is part of the series.

You May Also Like

Friday, October 12, 2012
Philharmonia Quartett Berlin

Sunday, February 3, 2013
West-Eastern Divan Orchestra

Friday, February 15, 2013
Miró Quartet