CARNEGIE HALL PRESENTS

Performance Sunday, May 8, 2011 | 7:30 PM

Les Violons du Roy

Zankel Hall
He’s been astounding audiences throughout Europe this season with his stunning take on Handel arias. Now you can experience Bostridge’s “showstopping style” (Guardian) here in New York City at Carnegie Hall. Don’t miss all the drama and majesty of the Baroque performed by a superstar tenor in top form and the historical performance specialists Les Violons du Roy.

Performers

  • Ian Bostridge, Tenor
  • Les Violons du Roy
    Bernard Labadie, Music Director and Conductor

Program

  • HANDEL Suite from Alcina
  • HANDEL "Forte e lieto" from Tamerlano
  • F. GASPARINI "Forte e lieto" from Tamerlano
  • HANDEL Concerto Grosso in F Major, Op. 3, No 4
  • CALDARA "Lo so, lo so : con periglio" from Joaz
  • HANDEL "Scorta siate" from Giulio Cesare
  • HANDEL Concerto Grosso in B-flat Major, Op. 6, No. 7
  • VIVALDI "Sazierò col morir mio" from Ipermestra, RV 722
  • VIVALDI "La tiranna e avversa sorte" from Arsilda, RV 700
  • HANDEL "D'un barbara scortese" from Poro
  • W. BOYCE Symphony No. 1 in B-flat Major, Op. 2, No. 1
  • HANDEL "From celestial seats descending" from Hercules
  • HANDEL "Where congeal'd the northern streams" from Hercules

  • Encores:
  • HANDEL "Scherza infida" from Ariodante
  • CONTI "Qui sto appeso" from Don Chisciotte in Sierra Morena

Bios

  • Ian Bostridge

    Ian Bostridge was a post-doctoral fellow in history at Corpus Christi College, Oxford, before embarking on a full-time career as a singer. His international recital career has included appearances at the Salzburg, Edinburgh, Munich, Vienna, Aldeburgh, and Schubertiade Schwarzenberg festivals. In 2003-2004, he held artistic residencies at Vienna's Konzerthaus and the Schubertiade Schwarzenberg; the following season, he shared a Carte Blanche series with Thomas Quasthoff at Amsterdam's Concertgebouw. In 2005-2006, Mr. Bostridge had his own Perspectives series at Carnegie Hall. He also has had his own series in 2008 at London's Barbican and in 2010-2011 at the Philharmonie Luxembourg.

    Mr. Bostridge made his operatic debut as Lysander in Britten's A Midsummer Night's Dream and his debut at the English National Opera as Tamino in Die Zauberflöte. He sang Quint in Deborah Warner's award-winning production of Britten's The Turn of the Screw for the Royal Opera, Covent Garden, and has since returned as Caliban in Thomas Adès's The Tempest, Don Ottavio in Don Giovanni under Antonio Pappano, and Vašek in The Bartered Bride under Bernard Haitink. For the Bavarian State Opera, he has sung Nerone (L'incoronazione di Poppea) and Tom Rakewell (The Rake's Progress), and Don Ottavio for the Vienna State Opera.

    Mr. Bostridge has appeared in concert with Berliner Philharmoniker, Vienna Philharmonic Orchestra, Chicago Symphony Orchestra, Boston Symphony Orchestra, London Symphony Orchestra, London Philharmonic Orchestra, BBC Symphony Orchestra, Rotterdam Philharmonic Orchestra, Royal Concertgebouw Orchestra, New York Philharmonic, and Los Angeles Philharmonic under conductors such as Sir Simon Rattle, Sir Colin Davis, Sir Andrew Davis, Seiji Ozawa, Riccardo Muti, Mstislav Rostropovich, Daniel Barenboim, Daniel Harding, and Donald Runnicles. In January 2010, he sang the world premiere of Hans Werner Henze's Opfergang with the Accademia Nazionale di Santa Cecilia in Rome under Antonio Pappano.

    In 2001, Mr. Bostridge was elected an honorary fellow of Corpus Christi College, Oxford; in 2003, he was awarded an honorary doctorate by the University of St. Andrews and in 2010, he was made an honorary fellow of St. John's College Oxford. He was named a Commander of the Order of the British Empire in 2004. Mr. Bostridge is married to the author and literary critic Lucasta Miller. They live in London with their two children.
    More Info

  • Les Violons du Roy

    The chamber orchestra Les Violons du Roy borrows its name from the renowned string orchestra of the court of the French kings. The group was founded in 1984 by Music Director Bernard Labadie and specializes in the vast repertoire of music for chamber orchestra, performed in the stylistic manner most appropriate to each era. Although the ensemble plays on modern instruments, its approach to the works of the Baroque and Classical periods has been strongly influenced by current research into 17th- and early 18th-century performance practices, and in this repertoire, Les Violons du Roy uses copies of period bows. In recent seasons, under the leadership of guest conductor Jean-Marie Zeitouni, the orchestra has begun to explore 19th- and 20th-century repertoire in more depth.

    Les Violons du Roy has been in residence at the Palais Montcalm de Québec since 2007. It performed in Europe in 1988 and has since given dozens of concerts in France, Germany, England, Spain, and the Netherlands, with internationally renowned soloists. It also has been invited to perform twice at the Concertgebouw in Amsterdam. The next European tour is scheduled for 2011. Since its first performance in Washington, DC, in 1995, Les Violons du Roy has extended its performance network in the United States and now makes regular trips to New York, Chicago, and Los Angeles.

    Recordings made by Les Violons du Roy have been acclaimed by critics and earned various distinctions and awards at the national and international levels. Since 2004, the ensemble's association with the Québec label ATMA has led to four CDs, including the critically acclaimed Water Music, winner of a Félix Award in 2008; Piazzolla, conducted by Jean-Marie Zeitouni and winner of a Juno Award in 2006; and Bartók, also directed by Mr. Zeitouni and released in fall 2008. The group's first collaboration with the multinational Virgin Classics label led to the release in fall 2006 of cantata arias by Handel and Hasse with American mezzo-soprano Vivica Genaux. Another collaboration with Virgin Classics, featuring the Norwegian cellist Truls Mørk, was recorded in November 2008.


    Bernard Labadie

    October 2009 marked Bernard Labadie's 25th year at the head of Les Violons du Roy. To celebrate this anniversary, Mr. Labadie conducted the chamber orchestra and La Chapelle de Québec in Handel's Messiah and Bach's Christmas Oratorio at Carnegie Hall in New York and Walt Disney Concert Hall in Los Angeles in December of that year.

    Mr. Labadie has become one of the most sought-after guest conductors in North America. In September 2009, he made his debut appearance with the Metropolitan Opera in New York in Mozart's Die Zauberflöte. In 2009-2010, he appeared for the first time with The Cleveland Orchestra and returned to conduct The Philadelphia Orchestra and the Chicago, Houston, and Colorado symphony orchestras, and during coming seasons he will complete guest engagements with the New York Philharmonic, Los Angeles Philharmonic, San Francisco Symphony, and St. Louis Symphony.

    Mr. Labadie's reputation has travelled well beyond North America. In March 2010, he conducted the Royal Concertgebouw Orchestra in Amsterdam for the first time in Bach's St. Matthew Passion. In coming seasons, he will debut with the Iceland Symphony Orchestra and the Tampere Philharmonic Orchestra (Finland), and will return to lead the Northern Sinfonia (England), NDR Symphony Orchestra (Germany), and the Musikkollegium Winterthur (Switzerland). He led the Malaysian Philharmonic Orchestra in November 2009 and will lead the Melbourne Symphony Orchestra in 2011 and 2012.

    As a leading ambassador for music in his native city of Québec, Bernard Labadie was made an Officer of the Order of Canada in 2005 and a Knight of the Ordre national du Québec in 2006. In 2008, he received The Banff Centre's National Arts Award for his contribution to the development of the arts in Canada, as well as an honorary doctorate from Université Laval.
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Audio

Handel Concerto grosso in D Major, Op. 6, No. 5 (III. Presto)
Les Violons du Roy / Bernard Labadie
Dorian Recordings

At a Glance

Tonight’s concert alternates brilliant Baroque orchestral music with a tribute to three Baroque tenors: Annibale Fabri, Francesco Borosini, and John Beard. Of Fabri, one critic wrote that “the merit of this tenor was often sufficient in Italy to supply the want of it in the principal soprano [castrato].” Borosini came from a family of singers and was in the employ of the Habsburg Imperial Court in Vienna for almost 20 years. Beard, trained as a chorister in the Royal Chapel, was the only singer who performed in every one of Handel’s English oratorios.

We begin with a suite of dances from Handel’s opera Alcina, inspired by the presence in London of a French ballerina, followed by two arias composed for Borosini in his role as a Turkish sultan in operas by two different composers.

One of the most complex genres of Baroque orchestral music is the concerto grosso—several movements filled with contrasts between the full orchestra and a smaller ensemble; in this concert, we hear one of Handel’s brilliant specimens.

Still more arias for Borosini follow, one from an oratorio by Caldara and the other from Handel’s masterpiece Giulio Cesare in Egitto, in which one role was rewritten especially for the great tenor.

Another concerto grosso by Geminiani, an Italian composer in London, is next; here, the composer transcribed music by Corelli that he knew to be very popular with the British.

Arias for Fabri include two by Vivaldi and one by Handel. Handel was an influence on the music of the British organist and composer William Boyce, whose three-movement symphony we hear next.

Finally, two arias—one sweetly lyrical, the other energetic—for Beard from Handel’s oratorio Hercules round out the program.

Program Notes
This performance is part of Baroque Unlimited.

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