Les Violons du Roy
The chamber orchestra Les Violons du Roy borrows its name from the renowned string
orchestra of the court of the French kings. The group, which has a core membership of 15
players, was brought together in 1984 by Music Director Bernard Labadie and specializes in
the vast repertoire of music for chamber orchestra. Although the ensemble plays on modern
instruments, its approach to the works of the Baroque and Classical periods has been
strongly influenced by current research into performance practice in the 17th and 18th
centuries, and Les Violons du Roy uses copies of period bows in this repertoire.
Les Violons du Roy is at the heart of the music scene in Quebec City, where it has been in
residence at the Palais Montcalm since 2007. Since 1997, it has also been an important part
of Montreal's cultural scene. The orchestra is well known throughout Canada, thanks to the
numerous concerts and recordings broadcast by Société Radio-Canada and CBC, and its regular
presence at music festivals. Les Violons du Roy has given dozens of concerts in Europe and
has extended its performance network in the United States, now making regular stops in New
York, Chicago, and Los Angeles.
Les Violons du Roy has made 22 recordings. Dorian has released 12 CDs, including
Handel's Apollo e Dafne and Mozart's Requiem, and ATMA has released six
CDs, including Water Music and Piazzolla. With Virgin Classics, the
orchestra recorded cantata arias by Handel and Hasse with Vivica Genaux, C. P. E. Bach's
cello concertos with Truls Mørk, and Bach's keyboard concertos with Alexandre Tharaud. The
most recent recording, with contralto Marie-Nicole Lemieux, was produced for the Naïve
label.
Bernard Labadie
Bernard Labadie is an internationally recognized expert on 17th- and 18th-century
repertoire, and founded Les Violons du Roy and La Chapelle de Québec in 1984 and 1985,
respectively. He continues to direct their regular seasons in Quebec City and Montreal, as
well as their tours throughout the Americas and Europe. He has made numerous recordings
with the ensembles on the Virgin Classics, Dorian, ATMA, and Hyperion labels.
Mr. Labadie's services as guest conductor are highly sought after, and he regularly
accepts engagements with major North American orchestras, including the New York and Los
Angeles philharmonics; the Chicago, Boston, San Francisco, St. Louis, Houston, and Toronto
symphony orchestras; The Cleveland Orchestra, and The MET Orchestra. In Europe, he has
taken the podium with Amsterdam's Royal Concertgebouw Orchestra, Bavarian Radio Symphony
Orchestra, Orchestre Philharmonique de Radio France, and the orchestra of Barcelona's Gran
Teatre del Liceu. He is also regularly invited to conduct the Melbourne Symphony Orchestra
in Australia.
Increasingly in demand among period-instrument orchestras, Mr. Labadie regularly directs
the Academy of Ancient Music and has worked with the Orchestra of the Age of Enlightenment,
The English Concert, and Collegium Vocale Gent Orchestra.