CARNEGIE HALL PRESENTS
Performance
Monday, February 27, 2012 | 7:30 PM
Simon Trpceski
Zankel Hall
Seating
Chart
From Macedonia to the world, Simon Trpčeski has established himself as one of the most remarkable young pianists to emerge in recent years, performing with the greatest orchestras and delighting audiences across the globe. With impeccable technique and delicate expression, he performs a virtuosic program that includes Schubert’s epic “Wanderer Fantasy.”
Performers
Program
- LISZT Prelude and Fugue in A Minor (after J.S. Bach)
- LISZT Petrarch Sonnet No. 104 from Années de pèlerinage
- LISZT Les jeux d’eaux à la Villa d’Este
- LISZT Hungarian Rhapsody No. 2 in C-sharp Minor
- SCHUBERT 16 German Dances, D.783
- SCHUBERT Wandererfantasie, D. 760
Encores:- SHAHOV In Struga
- LISZT Ständchen (after Schubert, Schwanengesang, D.957)
- CHOPIN Prelude in D Minor, Op. 28, No. 24
Bios
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Simon Trpčeski
With the ability to perform a diverse range of repertoire-from Haydn and Chopin to Debussy
and Stravinsky-Macedonian pianist Simon Trpčeski has captivated audiences worldwide and
established himself as one of the most remarkable young musicians to have emerged in recent
years. Mr. Trpčeski is praised not only for his impeccable technique and delicate
expression, but also for his warm personality and commitment to strengthening Macedonia's
cultural image.
Mr. Trpčeski's 2011-2012 season features a robust schedule of orchestral and recital
performances. Of particular note to North American audiences is his National Symphony
Orchestra debut with Lorin Maazel at the Kennedy Center and his Carnegie Hall recital
debut, an eagerly awaited return after last season's triumphant debut with the Baltimore
Symphony Orchestra. Mr. Trpčeski returns to the San Francisco Symphony in its centennial
season and to the Milwaukee Symphony Orchestra, both with Edo de Waart conducting. He also
performs Ravel's Piano Concerto in G Major with the Indianapolis and Seattle symphony
orchestras, and gives the American premiere of Macedonian composer Damir Imeri's
Fantasy on Two Folk Themes with the Seattle Symphony Orchestra. Worldwide
orchestral highlights include engagements with the Royal Flemish, Rotterdam, and Royal
Liverpool philharmonic orchestras; Australian Chamber Orchestra; Barcelona and Bamberger
symphonies; Philharmonia Orchestra of London; China Philharmonic Orchestra; and the
Guangzhou Symphony Orchestra. Mr. Trpčeski gives recitals in Paris, Hong Kong, London, and
Milan.
Mr. Trpčeski has received much praise for his EMI recital recordings, including
Gramophone's Editor's Choice and Debut Album awards. In March 2010, his recording
of Rachmaninoff's piano concertos No. 2 and No. 3 with the Royal Liverpool Philharmonic and
Vasily Petrenko debuted in the top 10 on the UK's specialist classical chart, and
additionally won Diapason d'Or and Classic FM's Editor's Choice awards. In June 2011, the
Avie label released the second concerto album recorded with Petrenko and the Royal
Liverpool Philharmonic of Rachmaninoff's piano concertos No. 1 and No. 4, alongside
Rhapsody on a Theme of Paganini. The second disc has also been recognized with
awardsfrom Classic FM, Gramophone, and Diapason d'Or. In September 2011, Mr.
Trpčeski was awarded the first-ever distinction of "National Artist of the
Republic of Macedonia" by Macedonia's president Gjorge Ivanov.
More Info
Audio
Chopin Piano Sonata No. 2, Op. 35, "Funeral March" (Scherzo)
Simon Trpčeski, Piano
EMI Classics
At a Glance
Liszt’s reputation has had its ups and downs in the 200
years since his birth, but it’s safe to say that his stock has never been
higher than it is today. A seminal figure in the Romantic movement, he was also
a musical visionary who prefigured many of the major compositional developments
of the 20th century. His vast catalogue includes some 1,000 works in many
genres, but he is best known for his dazzlingly virtuosic and often richly
poetic piano music, as represented by the four short pieces that open tonight’s
program.
Schubert was hardly in Liszt’s league as a piano virtuoso, but he too pushed
the envelope of keyboard sound and technique in works like the monumental
“Wanderer Fantasy.” It’s not surprising that Liszt lovingly annotated, adapted,
and transcribed for the piano dozens of Schubert’s works, including many of his
most famous songs.
Program Notes