CARNEGIE HALL PRESENTS
Performance
Friday, March 1, 2013 | 8 PM
Vienna Philharmonic Orchestra
Stern Auditorium / Perelman Stage
Seating
Chart
Dvořák intended his Seventh Symphony to be a truly moving statement; as he put it, the work “must be capable of stirring the world.” This tragically beautiful work marks the finale of a concert by the incomparable Vienna Philharmonic Orchestra and Franz Welser-Möst that also includes, as a lighthearted contrast, an operetta overture by Suppé and lieder by Richard Strauss with tenor Herbert Lippert.
Performers
- Vienna Philharmonic Orchestra
Franz Welser-Möst, Conductor
- Herbert Lippert, Tenor
Program
- SUPPÉ Poet and Peasant Overture
- R. STRAUSS "Freundliche Vision," Op. 48, No. 1
- R. STRAUSS "Winterliebe," Op. 48, No. 5
- R. STRAUSS "Liebeshymnus," Op. 32, No. 3
- R. STRAUSS "Ich liebe dich," Op. 37, No. 2
- R. STRAUSS "Verführung," Op. 33, No. 1
- DVORÁK Symphony No. 7
Audio
Dvo
řák's Symphony No. 7 (Scherzo vivace)
Vienna Philharmonic Orchestra | Lorin Maazel, Conductor
Deutsche Grammophon
At a Glance
This concert presents the music of two composers firmly in the
Austro-German tradition alongside that of a Czech nationalist who
sought "respectability" by making his Seventh Symphony more
Germanic. Franz von Suppé's Poet and Peasant Overture
is one of the most popular curtain-openers in the repertory, a
combination of sizzling energy and languorous sentiment that has
invaded popular culture in cartoons, advertisements, and jazz
riffs. Richard Strauss's lieder are not widely known (certainly not
as celebrated as his tone poems and operas), partly because there
are so many of them, more than 200 in all. The selections on this
program are love songs that invite the listener into Strauss's
unique world of sensuality and rapture. Antonín Dvořák's Seventh
Symphony, regarded by many critics as his greatest, aspires to be a
"tragic" Germanic work that transcends Bohemian nationalism. Though
it does present a new seriousness and ambition, Dvořák's
irrepressible Slavonic sensibility bursts forth repeatedly,
especially in folkloric dance music and pastoral melodies.
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