CARNEGIE HALL PRESENTS
Performance
Sunday, March 3, 2013 | 2 PM
Vienna Philharmonic Orchestra
Stern Auditorium / Perelman Stage
Seating
Chart
The Vienna Philharmonic Orchestra and Franz Welser-Möst conclude their three-concert stay at Carnegie Hall with expansive, lush music by two composers closely associated with their native country. Frank Peter Zimmermann joins the orchestra for Berg’s Violin Concerto, a moving tribute “to the memory of an angel,” said Alma Mahler Werfel’s daughter, who died shortly before the composer began the work. Also on the program is Bruckner’s expansive "Romantic" Symphony.
Performers
- Vienna Philharmonic Orchestra
Franz Welser-Möst, Conductor
- Frank Peter Zimmermann, Violin
Program
- BERG Violin Concerto
- BRUCKNER Symphony No. 4, "Romantic" (1888, Korstvedt edition)
Audio
Bruckner's Symphony No. 4, "Romantic" (Scherzo)
Vienna Philharmonic Orchestra | Bernard Haitink, Conductor
Decca
At a Glance
This concert presents two challenging Viennese works by
composers who were once on the periphery of the repertory but are
now frequently performed. Both pieces are ideal entries into their
composers' unique symphonic worlds: Alban Berg's Violin Concerto,
with its haunting lyricism, is an atonal work for those who
normally dislike atonal music; Anton Bruckner's Fourth Symphony,
with its epic but accessible structures, was a hit even with
Bruckner's many detractors when it premiered in Vienna in 1881.
Berg's concerto, dedicated "to the memory of an angel," is a moving
memorial to the daughter of Mahler's former wife, who died
tragically at age 18. It also turned out to be a requiem for Berg
himself, who died shortly before the 1936 premiere. Bruckner's
symphony, subtitled "Romantic," is a tribute to an earlier age of
Viennese Romanticism, though Bruckner may well have invested it
with nostalgic descriptions to make it more palatable to an
audience hostile to his daring mystical abstractions.
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