Performance Friday, October 31, 2014 | 8 PM

The Philadelphia Orchestra

Stern Auditorium / Perelman Stage
Mahler never provided a program for his “Resurrection” Symphony, but the sung texts of its fourth-movement “Urlicht” (Primal Light) and rapturous choral finale are keys to this remarkable work. “The ensemble, famous for its glowing strings and homogeneous richness, has never sounded better … The Philadelphia Orchestra seems to have found its ideal music director,” said The New York Times of Yannick Nézet-Séguin.


  • The Philadelphia Orchestra
    Yannick Nézet-Séguin, Music Director and Conductor
  • Angela Meade, Soprano
  • Sarah Connolly, Mezzo-Soprano
  • Westminster Symphonic Choir
    Joe Miller, Director


  • MAHLER Symphony No. 2, "Resurrection"


Mahler's Symphony No. 2, "Resurrection" (In ruhig fliessender Bewegung)
The Philadelphia Orchestra | Christoph Eschenbach, Conductor

Have you heard?

Mahler’s Symphony No. 2, “Resurrection”

From its opening funeral march to its ecstatic closing hymn, Mahler’s “Resurrection” Symphony ponders issues of life and death on a cosmic scale. The subtitle, however, is not Mahler’s, who was ambivalent towards program music. The symphony has a special place in Carnegie Hall’s history: The composer conducted its US premiere at the Hall in 1908.

This performance is part of The Philadelphia Orchestra, and Fabulous Fridays.

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