Opening the night is music so happy it positively dances: Carter’s urbane Dialogues, a work written when he was in his 90s, still breathes the spirit of youth. Following are three French works. The dusky sound of the viola colors the Berlioz piece, based on Byron’s story of adventure and ribaldry. Ravel’s concerto sparkles with hints of jazz, while the ballet suite from Daphnis et Chloé dances even more, closing out the evening with a spectacular, theatrical rush.
Boston Symphony Orchestra
James Levine, Music Director and Conductor
Pierre-Laurent Aimard, Piano
Steven Ansell, Viola
ELLIOTT CARTER
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Dialogues, for Piano and Orchestra
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BERLIOZ
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Harold in Italy
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RAVEL
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Piano Concerto for the Left Hand
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RAVEL
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Daphnis et Chloé Suite No. 2
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Elliott Carter
Elliott Carter on studying composition with Nadia Boulanger and developing his style.
© 2008 Carnegie Hall Corporation
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