Staatskapelle Berlin
“renowned for its rich, ‘creamy’ sound”—Guardian
“My Sixth is finished. I think I have proved myself,” Mahler wrote to conductor (and former student) Bruno Walter in summer 1904. Though created during a time of great happiness for the composer, the work emerged as one of the most profoundly dark of all his symphonies. Mahler later superstitiously removed one of the three “hammer blows of Fate” that punctuate the final titanic movement, fearful they would be prophetic to his own life.
Staatskapelle Berlin Pierre Boulez, Conductor
MAHLER
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Symphony No. 6, "Tragic"
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Perspectives: Daniel Barenboim
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Program is approximately 1 hour, 20 minutes, and will be performed without intermission.
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Excerpt from Mahler’s Symphony No. 6 in A minor (I. Allegro energico, ma non troppo. Heftig aber Markig)
Vienna Philharmonic / Pierre Boulez DG
Mahler: The Symphonies in Sequence
Gustav Mahler once famously declared, “the symphony must be like the world, it must embrace everything.” In this introduction to Mahler’s symphonies, trace his lifelong creative path from the exuberant Romanticism of his First Symphony to the haunted music of his last.
Learn more ›

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