Connect with Us

Events

No Results Found.

All Results

No Results Found.

  • Carnegie Hall Presents
  • ZH Zankel Hall
  • SA/PS Stern Auditorium / Perelman Stage
  • REW Resnick Education Wing
  • WRH Weill Recital Hall
SUN
MON
TUE
WED
THU
FRI
SAT
 31
Jan  1
 2
 3
  • Narrative and Counter-Narrative: (Re)defining the 1960s 9 AM Offsite
 4
  • Postponed: Ensemble Connect 7:30 PM Offsite
 5
 6
  • Neighborhood Concert: Sinkane 5 PM Offsite
 7
 8
  • Shakespeare Redress: Joe Papp's Naked Hamlet 1968 6 PM Offsite
 9
 10
  • History with David M. Rubenstein: An Evening with Ken Burns: The Vietnam War 6:30 PM Offsite
 11
  • Artistic Vanguard: The 1960s at The Art Students League 9 AM Offsite
  • Roomful of Teeth 7:30 PM ZH
  • Lisa Hilton & Friends 8 PM WRH
 12
  • Uneasy Riders: '60s Hollywood 11 AM Offsite
  • Crescendo International Competition 7:30 PM WRH
 13
  • IMPACT Young Artists Competition Silver Winners Concert 12 PM WRH
  • Distant Worlds: music from FINAL FANTASY 2 PM SA/PS
  • Martin Luther King Jr. and the Vietnam War 2 PM Offsite
  • IMPACT Young Artists Competition Gold Winners Concert 4 PM WRH
  • Distant Worlds: music from FINAL FANTASY 8 PM SA/PS
 14
  • Harlem Postcards 12 AM Offsite
  • Countdown to Eternity: Photographs of Dr. Martin Luther King Jr. in the 1960s 7 AM Offsite
  • The Vietnam War: 1945–1975 11 AM Offsite
  • Crescendo International Competition 1 PM WRH
  • Performing Arts Educators 12th Annual Invitational 2 PM SA/PS
  • Reading Into History Family Book Club 2 PM Offsite
  • Artist-in-Residence Tour 2:30 PM Offsite
  • Apollo Uptown Hall: 50 Years After MLK: A Dream Deferred 3 PM Offsite
  • Julian Gargiulo, Piano
    "Getting to Carnegie Hall" Violin Competition Finals
    7:30 PM WRH
 15
  • Power in Print 10 AM Offsite
  • Max's Kansas City 10 AM Offsite
  • YPCA Showcase 6 PM WRH
  • The Music of Sir Karl Jenkins 7 PM SA/PS
 16
  • Guildhall Artists in New York 8 PM WRH
 17
  • Crescendo International Competition 7:30 PM WRH
  • Royal Concertgebouw Orchestra 8 PM SA/PS
 18
  • Open Working Rehearsal: Royal Concertgebouw Orchestra 11 AM SA/PS
  • Cecile Licad, Piano 8 PM WRH
  • Royal Concertgebouw Orchestra 8 PM SA/PS
 19
  • You Say You Want a Revolution: Remembering the Sixties 10 AM Offsite
  • Artifacts of Change 10:30 AM Offsite
  • ’60s Verité 2 PM Offsite
  • Denis Matsuev 7 PM SA/PS
  • The Library After Hours: Counterculture 7 PM Offsite
  • Robert Mealy and Friends 7:30 PM WRH
  • Kronos Quartet 9 PM ZH
 20
  • Passion Through Performance 1 PM WRH
  • Misha Quint, Cello 8 PM WRH
  • Jonas Kaufmann, Tenor
    Helmut Deutsch, Piano
    8 PM SA/PS
 21
  • Crescendo International Competition 11:30 AM WRH
  • Janine Jansen, Violin
    Jean-Yves Thibaudet, Piano
    2 PM SA/PS
  • Crescendo International Competition 3:30 PM WRH
  • Crescendo International Competition 8 PM WRH
 22
  • The Annie Moses Band 7 PM SA/PS
  • Tour Carnegie Hall Various Times
 23
  • The Global Interconnections of 1968 9 AM Offsite
  • The Sixties Underground: Press and the Rise of Alternative Media in America 6 PM Offsite
  • The Cleveland Orchestra 8 PM SA/PS
 24
  • Open Working Rehearsal: The Cleveland Orchestra 11 AM SA/PS
  • The Song Continues: Marilyn Horne Master Class 7:30 PM REW
  • Russian Winter Gala Concert 8 PM WRH
  • The Cleveland Orchestra 8 PM SA/PS
  • Tour Carnegie Hall Various Times
 25
  • Sing Out! The 1960s at Carnegie Hall 11 AM Offsite
  • The Song Continues: Graham Johnson Master Class 7:30 PM REW
  • Trio Klaritas 8 PM WRH
  • SNARKY PUPPY
    with David Crosby and Special Guests
    8 PM SA/PS
  • Tour Carnegie Hall Various Times
 26
  • Grammy Salute to Classical Music
    Celebrating the Legacy of Leonard Bernstein
    2:30 PM SA/PS
  • Coming Home 7 PM Offsite
  • The Song Continues: Renée Fleming Master Class 7:30 PM REW
  • Lang Lang Young Scholars Concert 8 PM WRH
  • Paolo Angeli, Guitar and Vocals 8:30 PM ZH
 27
  • Crescendo International Competition 11:30 AM WRH
  • Crescendo International Competition 3:30 PM WRH
  • Big Daddy Weave Live in Concert with The True North Symphony Orchestra and Mass Choir 6:30 PM SA/PS
  • Crescendo International Competition 8 PM WRH
  • Matthew Shipp Trio
    Roscoe Mitchell, Saxophone
    9 PM ZH
  • Tour Carnegie Hall Various Times
 28
  • New York Musician's Center Student Showcase 1 PM WRH
  • American Symphony Orchestra 2 PM SA/PS
  • Marilyn Horne Song Celebration 3 PM ZH
  • Yale in New York 7:30 PM WRH
 29
  • Hotchkiss School at Carnegie Hall 8 PM WRH
 30
  • Stephen Hough, Piano 8 PM SA/PS
  • TeRra Han, Kayageum 8 PM WRH
 31
  • In the Intense Now 2 PM Offsite
  • Karwendel Artists Gala Concert 7:30 PM WRH
Feb  1
  • Birkin Gainsbourg
    The Symphonic
    with Jane Birkin and Wordless Music Orchestra
    8 PM SA/PS
  • A Midwinter Poetry Jam 8 PM Offsite
  • One World Opera: A Blend Between Eastern and Western Music 8 PM WRH
 2
  • Neighborhood Concert: Banda Magda 7:30 PM Offsite
  • An Affair of the Skin 7:30 PM Offsite
  • Sol-ETUDES: A Eurythmy Recital 8 PM WRH
  • The New York Pops 8 PM SA/PS
 3
  • Forte International Music Competition 1 PM WRH
  • The Kid Who Helped Leak the Pentagon Papers 2 PM Offsite
  • The Black G.I. 6:45 PM Offsite
  • Orpheus Chamber Orchestra 7 PM SA/PS
  • Malek Jandali Trio 8 PM WRH
  • No Vietnamese Ever Called Me Nigger 8:30 PM Offsite
  • Ruthie Foster
    North Mississippi Allstars
    9 PM ZH

When Teaching Became Joyful Again

 

Carnegie Hall’s Music Educators Workshop is transforming the lives of both teachers and students, writes Sarah Kirkup.

When Nate Sutton, a professional trombonist from Texas, first started teaching music in New York City, it wasn’t the positive experience he had hoped it would be. “It’s easy to feel isolated,” he says. “There are music teacher organizations out there, but they’re not easy to find, and a lot them are filled with broken, bitter teachers. I suppose that’s not surprising—we’re teaching in an urban environment, and it can be grueling.”

But three years ago, almost by accident, Sutton encountered the Weill Music Institute’s Music Educators Workshop—and he has never looked back. “It doesn’t focus on negativity,” he says. “No matter where people teach across New York City, we’re able to learn from each other and support each other. Being able to talk to someone else who does the same thing you do, and to learn from people who themselves are from a music education background, is invaluable.”

“I’ve never seen more motivated kids—there was such a sense of ownership.”
 

The Music Educators Workshop was launched during the 2013–2014 season as part of Carnegie Hall’s ongoing focus on students and teachers, producing a huge range of educational and social impact initiatives that extend far beyond the concert hall. Open to K-12 music teachers, up to 100 applicants can attend free monthly, interactive workshops with top music educators over the course of 10 months, and also attend concerts as guests of Carnegie Hall. In addition, in 2015, Carnegie Hall launched the Summer Music Educators Workshop, a four-day intensive session open to teachers from across the country which, in 2016, attracted 120 participants (this year, guest faculty includes conductor Marin Alsop and choreographer Twyla Tharp). All these activities take place in the Resnick Education Wing, which opened in 2014 and contains 24 ensemble and practice rooms. “The fact that Carnegie Hall has built an entire wing dedicated to music education shows how far-sighted its staff members are,” says Sutton. “They have our best interests at heart, because our best interests serve their best interests.”

Sutton has been a middle school teacher at a public school in Chinatown for eight years now, and credits the Music Educators Workshop for revolutionizing his teaching methods. “I’ve been able to make better lesson plans, think about creativity in a new way, and allow kids to work through their own natural creative desires without being afraid,” he says. Sutton has learned to take risks personally, too. “I’ve never felt called to be a composer,” he admits, “but during one workshop, composer Thomas Cabaniss made a marvelous case for exposing your students to composition. So last year I did a composing project with my eighth-grade band, and we ended up performing the piece in a concert. I’ve never seen more motivated kids—there was such a sense of ownership.”

For the 2016–2017 season, workshop participants had the additional option of specializing in one of three curriculum tracks; emboldened by his recent success, Sutton chose composition. “I’m pushing myself out of my comfort zone,” he laughs. “I’m thinking about my craft in a new way because I’m being challenged to. The message of these workshops isn’t, ‘Here are some more survival skills, now go back in the trenches.’ We’re being given an opportunity to reimagine what we’re doing, absorb new ideas, and then take them back to our own classrooms.”

Sarah Kirkup’s original article originally appeared in Beyond the Stage: Stories from Carnegie Hall’s Weill Music Institute, published by Faircount Media Group.