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Berliner Philharmoniker

Wednesday, November 9, 2016 8 PM Stern Auditorium / Perelman Stage
The Telegraph wrote that Sir Simon Rattle and the Berliner Philharmoniker "were the real thing: glorious …” This concert will show exactly why. Scored for 15 instruments, including mandolin, cimbalom, and vibraphone, Boulez’s Éclat asks the performers to choose the tempo and order in which they perform their music. Mahler’s Symphony No. 7 has its fanciful moments too, including a boisterous finale that suggests the opening of Wagner’s Die Meistersinger, bits of operetta, and a Turkish march. There’s also exotic scoring, including mandolin, cowbells, and guitar in the work’s mysterious nachtmusik ("night music") movements.


Berliner Philharmoniker
Sir Simon Rattle, Chief Conductor and Artistic Director



MAHLER Symphony No. 7

Event Duration

The printed program will last approximately 90 minutes with no intermission.

Perspectives: Sir Simon Rattle

The Carnegie Hall presentations of the Berliner Philharmoniker are made possible by a leadership gift from Marina Kellen French and the Anna-Maria and Stephen Kellen Foundation.

Deutsche Bank is proud to support the Berliner Philharmoniker.

At a Glance

This concert presents a hypnotic work by the late Pierre Boulez from the 1960s and a late Mahler symphony that anticipates some of Boulez’s dreamlike effects. The orchestration in both works is dazzling and inventive, full of unusual timbres and percussion, including mandolin and guitar. The structure of both works is daring. Boulez combines improvised “chance” music with strictly calculated patterns, while Mahler shifts moods and tonalities in the large outer movements, but delivers spectral nocturnes in the three middle ones. Once considered too daunting for general audiences, the Mahler’s Seventh has become increasingly popular in our time and is a signature piece for Sir Simon Rattle.


Berliner Philharmoniker

The Berliner Philharmoniker was founded in 1882 as a self-governing body and has long been esteemed one of the world's greatest orchestras.

Hans von Bülow, Arthur Nikisch, and Wilhelm Furtwängler were the principal conductors who left their distinctive mark ...

The Berliner Philharmoniker was founded in 1882 as a self-governing body and has long been esteemed one of the world's greatest orchestras.

Hans von Bülow, Arthur Nikisch, and Wilhelm Furtwängler were the principal conductors who left their distinctive mark during the Berliner Philharmoniker's early decades. In 1955, Herbert von Karajan became the orchestra's artistic director, and in the ensuing years worked with the musicians to develop a unique tonal quality and performing style that made the Berliner Philharmoniker famous all over the world. Claudio Abbado, chief conductor from 1989 to 2002, devised a new type of programming, with increased emphasis on contemporary works, expanded chamber recital series, and opera-in-concert performances. When Sir Simon Rattle took the orchestra's helm in September 2002, the education program was initiated to ensure that the Berliner Philharmoniker reaches a wider and younger audience. In November 2007, the orchestra and Sir Simon Rattle were appointed UNICEF Goodwill Ambassadors--the first artistic ensemble ever to represent the international children's organization.

The Berliner Philharmoniker Foundation is generously supported by its principal sponsor, Deutsche Bank. This commitment enabled the orchestra to launch its innovative Digital Concert Hall in January 2009, which broadcasts the orchestra's concerts live around the world via the internet. In May 2014, the Berliner Philharmoniker launched its own in-house label, Berliner Philharmoniker Recordings.

During an orchestra assembly on June 21, 2015, Kirill Petrenko was elected by a large majority of the members of the Berliner Philharmoniker as the chief conductor designate of the orchestra.

Sir Simon Rattle

Sir Simon Rattle has been chief conductor of the Berliner Philharmoniker and artistic director of the Berlin Philharmonie since September 2002. In the concert hall and opera house, Mr. Rattle's extensive repertoire covers compositions that range from the Baroque era to contemporary music. He is also principal guest conductor of the Orchestra of the Age of Enlightenment and works with leading orchestras on both sides of the Atlantic. Even before taking his post as principal conductor, Mr. Rattle had already collaborated regularly with the Berliner Philharmoniker for 15 years. Of the many recordings he has made with the orchestra, several have received prestigious awards. All of these releases were recorded live at the Philharmonie.

Born in Liverpool in 1955, Mr. Rattle studied at London's Royal Academy of Music. He was 25 when he began his close association with the City of Birmingham Symphony Orchestra (CBSO), initially as principal conductor and artistic adviser, then--up until the 1998 season--as its music director. His tireless work and visionary artistic projects helped turn the CBSO into one of the world's top-ranking orchestras.

One of Mr. Rattle's special passions is for bringing the work and music of the Berliner Philharmoniker to young people of the most diverse social and cultural backgrounds. To that end, he has established the education program of the Berliner Philharmoniker, which enables the orchestra to pursue new approaches to promulgating its music.

For this commitment, as well as for his artistic work, Mr. Rattle has won many awards. In 1994, he received a knighthood from Queen Elizabeth II; in 2009, he was awarded the Spanish Premio Don Juan de Borbón de la Música, the Gloria Artis Gold Medal from the Polish Ministry of Culture, and the Order of Merit of the Federal Republic of Germany. The following year, he was awarded France's Chevalier de la Légion d'honneur. In February 2013, Mr. Rattle was presented with the Léonie Sonning Music Prize; the following December, he was appointed Member of the Order of Merit by Queen Elizabeth II.

In January 2013, Mr. Rattle announced that he would not renew his contract as chief conductor of the Berliner Philharmoniker after it expires in 2018. In March 2015, he announced his appointment as music director of the London Symphony Orchestra, beginning in September 2017.

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