Ensemble Connect
Performers
Ensemble Connect
·· Mika Sasaki, Harpsichord
·· ToniMarie Marchioni, Oboe (Alumni)
·· Rebecca Anderson, Violin
·· Adelya Nartadjieva, Violin
·· Andrew Gonzalez, Viola
·· Maren Rothfritz, Viola
·· Julia Yang, Cello
·· Lizzie Burns, Double Bass
·· Nicolee Kuester, French Horn
·· Brian Olson, Trumpet
·· Jean Laurenz, Trumpet (Alumni)
·· Oliver Barrett, Trombone
·· Matthew Winter, Bass Trombone
Additional artists to be announced
Caroline Shaw, Violin
Program
GUAMI/GABRIELI/CHILESE Three Venetian Canzoni (arr. Raymond Mase)
ROSENMÜLLER Sonata No. 4 in C Major
MARCELLO Oboe Concerto in C Minor
CAROLINE SHAW Stucco & Brocatelle (World Premiere, commissioned by Carnegie Hall)
VIVALDI Sinfonia al Santo Sepolcro
VIVALDI Concerto in G Major, RV 151, "Alla rustica"
ANDREW RINDFLEISCH In the Zone
Ensemble Connect is a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education.
Lead support for the 125 Commissions Project is provided by The Andrew W. Mellon Foundation.
Public support for the 125 Commissions Project is provided by the National Endowment for the Arts.
Additional funding is provided by members of Carnegie Hall's Composer Club.
Major funding has been provided by The Diller–von Furstenberg Family Foundation, Susan and Edward C. Forst and Goldman Sachs Gives, the Max H. Gluck Foundation, the Irving Harris Foundation, The Kovner Foundation, Mr. and Mrs. Lester S. Morse Jr., Phyllis and Charles Rosenthal, The Edmond de Rothschild Foundations, The Morris and Alma Schapiro Fund, and Ernst & Young LLP.
Additional support has been provided by Mr. and Mrs. Nicola Bulgari, Leslie and Tom Maheras, Susan and Elihu Rose Foundation, Sarah Billinghurst Solomon and Howard Solomon, and Trust for Mutual Understanding.
Public support is provided by the New York City Department of Education, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Ensemble Connect is also supported, in part, by an endowment grant from The Kovner Foundation.