La Serenissima: Music and Arts from the Venetian Republic is sponsored by Chubb.
The Italian Ministry of Cultural Heritage and Activities and Tourism has granted La Serenissima: Music and Arts from the Venetian Republic its official support (“Patrocinio”) in recognition of Carnegie Hall’s celebration of Italy’s extraordinarily rich cultural legacy.
Carnegie Hall gratefully acknowledges the support of the Ministry of Heritage and Culture and Tourism in Rome; the Embassy of Italy in Washington, DC; and the Consulate General of Italy in New York.
Lead support for the 125 Commissions Project is provided by The Andrew W. Mellon Foundation.
Public support for the 125 Commissions Project is provided by the National Endowment for the Arts.
Additional funding is provided by members of Carnegie Hall's Composer Club.
A program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education
Major funding has been provided by The Diller–von Furstenberg Family Foundation, Susan and Edward C. Forst and Goldman Sachs Gives, the Max H. Gluck Foundation, the Irving Harris Foundation, The Kovner Foundation, Mr. and Mrs. Lester S. Morse Jr., Phyllis and Charles Rosenthal, The Edmond de Rothschild Foundations, The Morris and Alma Schapiro Fund, and Ernst & Young LLP.
Additional support has been provided by Mr. and Mrs. Nicola Bulgari, Leslie and Tom Maheras, Susan and Elihu Rose Foundation, Sarah Billinghurst Solomon and Howard Solomon, and Trust for Mutual Understanding.
Public support is provided by the New York City Department of Education, and the New York State Council on the Arts with the support of Governor Andrew Cuomo and the New York State Legislature.
Ensemble Connect is also supported, in part, by an endowment grant from The Kovner Foundation.
The early Baroque composer Johann Rosenmüller published this attractive trio sonata in 1682, around the time he returned to Germany after more than two decades in Italy. It is distinguished by its adventurous chromatic harmonies and symmetrical seven-part structure.
A “warlike madrigal” based on a story set during the First Crusade, Il combattimento di Tancredi e Clorinda is cut from the same cloth as Monteverdi’s operatic masterpieces. As musicologist Manfred Bukofzer observed, Monteverdi’s dramatic genius provided the vital “spark” that transformed the declamatory idiom of early–17th-century monody into “living music.”
Alessandro Marcello was active in Venice at the same time as Vivaldi. Unlike the latter’s hundreds of concertos, however, he wrote fewer than 10, among them one of the earliest concertos for oboe. A lavishly ornamented slow movement is sandwiched between a sweetly lyrical Andante and a fast, virtuosic finale.
Caroline Shaw composed this piece for Ensemble Connect, saying that “the contrasting textures of stucco and a heavy brocade known as brocatelle, combined with a consideration of Vivaldi’s swirling string textures and harmonic progressions, inspired this piece. It is filled with curves and filigree, hard and soft edges, and odd harmonic shifts that Vivaldi might have taken in an alternate universe.”
The wide expressive and coloristic range of Vivaldi’s music is exemplified by these two short works for strings. In contrast to the rustic exuberance of the Concerto in G Major, the two movements of the Sinfonia in B Minor—one intense and otherworldly, the other lively and fugal—are suffused with religiosity.
Celebrating its 10th anniversary during the 2016-2017 season, Ensemble Connect-formerly
known as Ensemble ACJW-was created in 2007 by Carnegie Hall's Executive and Artistic
Director Clive Gillinson and The Juilliard School's President Joseph W. Polisi. Ensemble
Connect is a two-year fellowship program for the finest young professional classical
musicians in the United States that prepares them for careers combining musical excellence
with teaching, community engagement, advocacy, entrepreneurship, and leadership. It offers
them top-quality performance opportunities, intensive professional development, and the
opportunity to partner throughout the fellowship with a New York City public school.
Ensemble Connect fellows-chosen for their musicianship, but also for their leadership
qualities and commitment to music education-come from some of the best music schools in the
country, including the Curtis Institute of Music, Eastman School of Music, The Juilliard
School, Manhattan School of Music, New England Conservatory, Peabody Institute, Stony Brook
University, University of Southern California, and Yale School of Music.
Ensemble Connect has earned accolades from critics and audiences alike for the quality of
its performances as well as its fresh and open-minded approach, performing a wide range of
music-from centuries past to works written days before an event-in a variety of performance
venues. The group performs its own series at Carnegie Hall and has regularly appeared at
The Juilliard School's Paul Hall and other venues throughout New York City, including (Le)
Poisson Rouge nightclub in Greenwich Village, Galapagos Art Space and National Sawdust in
Brooklyn, and SubCulture in NoHo. As part of a partnership with Skidmore College that began
in 2007, Ensemble Connect gives master classes for university students and performs for the
Saratoga Springs community in both concert halls and in informal settings around
town.
Along with performance opportunities at premier venues in New York City and beyond,
Ensemble Connect fellows each partner with a New York City public school to share their
artistry with-and become central resources for-music classrooms in the five boroughs.
Ensemble Connect fellows also take part in community work through the Weill Music
Institute's Musical Connections program, in which they perform at multiple non-traditional
music venues across New York City, including healthcare settings, correctional facilities,
and senior-service organizations. Throughout the two-year program, Ensemble Connect fellows
participate in rigorous, ongoing professional development to ensure that they gain the
necessary skills to be successful in all areas of the program and to become leaders in
their field. Areas of emphasis include artistic excellence, engagement strategies on and
off the stage, advocacy, professional skills, and preparation for their in-school
work.
Moving on to the next stage of their careers, Ensemble Connect's 101 alumni are now making
an impact on the national and international musical landscape in a wide variety of artistic
and educational arenas. Continuing the strong bonds formed through the program, in 2011 the
alumni formed the chamber music collective Decoda, which has been named an affiliate
ensemble of Carnegie Hall.
Exemplary performers, dedicated teachers, and advocates for music throughout the community,
the forward-looking musicians of Ensemble Connect are redefining what it means to be a
musician in the 21st century. Visit ensembleconnect.org to learn more.
Caroline Shaw is a New York-based musician. She is the youngest-ever winner of the Pulitzer
Prize for Music, which she was awarded for her enigmatic composition Partita for 8 Voices.
Her career defies categorization; not only does she perform as a violin soloist and chamber
musician, but she is also a vocalist in the Grammy-winning ensemble Roomful of Teeth.
Recent commissions include works for Carnegie Hall, the Guggenheim Museum, The Saint Paul
Chamber Orchestra with pianist Jonathan Biss, and mezzo-soprano Anne Sofie von Otter. She
also frequently collaborates with Kanye West. Currently a doctoral candidate at Princeton
University, Caroline also studied at Rice and Yale universities. Caroline loves the color
yellow, otters, Beethoven's Op. 74, Mozart opera, the smell of rosemary, and the sound of a
janky mandolin.
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