Part of: Zankel Sampler I
Founded in 2000 by Artistic Director Christina Pluhar, L'Arpeggiata is composed of some of
today's finest soloists who work in collaboration with the most exceptional singers from
the Baroque music world. L'Arpeggiata's performances are based on instrumental
improvisation and singing that focuses on vocal interpretation influenced by traditional
music.
Since its founding, L'Arpeggiata has received incredible responses from audiences and
outstanding critical acclaim. Its albums--including La Villanella; Homo fugit
velut umbra; La Tarantella; Teatro d'Amore; All' Improvviso;
Rappresentatione di Anima, et di Corpo; Los Impossibles; Via
Crucis; and Monteverdi's Vespro della Beata Vergine--have earned a string of
accolades, among them ECHO Klassik and Edison Classical Music awards. Los Pájaros
Perdidos (2012) is devoted to traditional and Baroque music from Latin America, and
Mediterraneo (2013) features fado singer Mísia. The ensemble released L'amore
innamorato, an album dedicated to the most beautiful opera arias for soprano by
Francesco Cavalli, and most recently Orfeo Chamán, a selection of music composed
and arranged by Ms. Pluhar.
L'Arpeggiata has participated in many festivals around the world, including the London
Festival of Baroque Music, Festival Oude Muziek in Utrecht, Festival Baroque de Pontoise,
Printemps des arts in Nantes, Rencontres Musicales de Vézelay, Festival International de
Musiques Sacrées in Fribourg, Festival de l'Abbaye de Saint-Michel en Thiérache, Festival
de Sablé, Ludwigsburger Schlossfestspiele, and Hong Kong Arts Festival.
Christina Pluhar, founder and artistic director of the L'Arpeggiata, discovered her deep
affinity with Renaissance and Baroque music after studying classical guitar at the
University of Graz in Austria.
She devoted herself to the studies of the lute, theorbo, baroque guitar, and baroque harp
at the Royal Conservatoire of The Hague (Netherlands) with Toyohiko Satoh, Schola Cantorum
Basiliensis (Switzerland) with Hopkinson Smith, and Civica Scuola di Musica di Milano
(Italy) with Mara Galassi, followed by master classes with Paul O'Dette, Andrew
Lawrence-King, and Jesper Christensen.
In 1992, Ms. Pluhar moved to Paris, where she performed both as a soloist and a continuo
player with Ensemble La Fenice (Jean Tubéry), Hespèrion XXI (Jordi Savall), Il Giardino
Armonico, Concerto Soave (María Cristina Kiehr), Accordone (Marco Beasley), Ensemble Elyma
(Gabriel Garrido), Les Musiciens du Louvre (Marc Minkowski), Ricercar Consort (Philippe
Pierlot), La Grande Écurie et la Chambre du Roy (Jean-Claude Malgoire), and Cantus Cölln
(Konrad Junghänel), among others. As a continuo player, she has performed with orchestras
under the direction of René Jacobs, Alessandro De Marchi, and Gabriel Garrido. From 2001 to
2005, she was assistant conductor to Ivor Bolton at the Munich Opera House. As a guest
conductor, she was invited to conduct the Australian Brandenburg Orchestra (Sydney),
European Union Baroque Orchestra, and Orchestra Divino Sospiro (Portugal).
Since 1993, Ms. Pluhar has conducted master classes at the University of Graz; since 1999,
she has served as professor of Baroque harp at the Royal Conservatoire of The Hague.
In 2000, Ms. Pluhar founded L'Arpeggiata. Selecting some of the finest artists in Europe
as members, L'Arpeggiata achieved success virtually overnight with its first CD, La
Villanella (a collection of Giovanni Girolamo Kapsberger vocal works). In 2012,
L'Arpeggiata--under Ms. Pluhar's direction--became the first baroque ensemble to be named a
Perspectives artist at Carnegie Hall.
Céline Scheen completed her training at the Guildhall School of Music and Drama in London
with Vera Rózsa. She has since performed in the greatest festivals and concert halls around
the world.
On the opera stage, her roles have included Zerlina in Mozart's Don Giovanni,
Atilia in Cavalli's Eliogabalo, Papagena in Mozart's The Magic Flute,
Amour and Clarine in Rameau's Platée, and La musica and Euridice in Monteverdi's
Orfeo. She was also Venus in John Blow's Venus and Adonis in a new
production by the Théâtre de Caen that toured to the Grand Théâtre du Luxembourg, Angers
Nantes Opéra, Opéra de Lille, Opéra Comique (Paris), and Maison de la Culture de
Grenoble.
In concert, Ms. Scheen has performed works by Bach, Graupner, Monteverdi, Rameau, and
Zelenka with Ensemble Pygmalion, and the combined forces of La Cetra Barockorchester Basel
and RIAS Kammerchor, among many others.
She has recorded music for the film Le roi danse with Musica Antiqua Köln and
Reinhard Goebel, in addition to working with Paolo Pandolfo on a CD on improvisations.
Other releases that feature Ms. Scheen include Bach's Orgelbüchlein with Ensemble
Mare Nostrum, Virtuosissima compositrice (featuring works by Barbara Strozzi) with
Cappella Mediterranea and Leonardo García Alarcón, Amarante with Philippe Pierlot
and Eduardo Egüez, Lully's Bellérophon with Les Talens Lyriques and Christophe
Rousset, and Monteverdi's Vespro della Beata Vergine with the Ricercar Consort and
Philippe Pierlot.
Ms. Scheen has performed in new productions of the St. Mathew Passion in
Copenhagen with the Danish Radio Orchestra under the direction of Andrea Marcon, and in
Dresden and Prague with Collegium 1704 under Václav Luks. During the 2015-2016 season, she
appeared with frequent partners Le Banquet Céleste and Damien Guillon in Europe.
Born in Italy, Giuseppina Bridelli started singing at a very young age at the
Conservatorio di Musica G. Nicolini in Piacenza, where she was taught by Maria Laura
Groppi. In 2007, she won the Aslico competition for young vocalists and made her debut at
21 as Despina in Così fan tutte with conductor Diego Fasolis. Since 2008, she has
studied at the Scuola dell'Opera del Teatro Comunale in Bologna.
Ms. Bridelli was a finalist in several international singing competitions, including the
International Hans Gabor Belvedere Competition, Neue Stimmen, and Innsbruck Festival of
Early Music's Cesti Competition. In 2012, she won the top prize at the Concorso
Internazionale di Canto Barocco Francesco Provenzale in Naples and the second prize at the
Concours International de Chant Baroque in France. In May 2013, she won second prizes at
the International Vocal Competition Stanisław Moniuszko in Varsavia and the International
Voice Competition Renata Tebaldi Competition in San Marino.
Highly appreciated for her early-music performances, Ms. Bridelli collaborates with such
Baroque ensembles as Accademia Bizantina, La Venexiana, Cappella Mediterranea, Auser
Musici, Ensemble Pygmalion, Stile Galante, and Le Concert de l'Hostel Dieu.
She has also performed at the Festival della Valle d'Itria in Scarlatti's Messa di
Santa Cecilia, and as Amore and Poesia in Cavalli and Stradella's Il Novello
Giasone; at the Innsbruck Festival of Early Music as Ottavia and Virtù in Monteverdi's
L'incoronazione di Poppea; at the Alessandro Scarlatti Association in Naples as
Clori in Gli equivoci nel sembiante; and at the Oper Bremen as Flora in Vivaldi's
L'incoronazione di Dario with Accademia Bizantina under the direction of Ottavio
Dantone.
In 2016, Ms. Bridelli performed the role of Aristeo in Rossi's Orfeo with
Ensemble Pygmalion and conductor Raphaël Pichon, in addition to Minerva and El Tiempo in
Durón's La guerra de los gigantes with Cappella Mediterranea at the Teatro de la
Zarzuela in Madrid.
Vincenzo Capezzuto has performed as a principal dancer with Teatro di San Carlo, English
National Ballet, Julio Bocca's Ballet Argentino, Michele Merola's MM Contemporary Dance
Company, and Aterballetto. He has danced all over the world in productions choreographed by
Mauro Bigonzetti, William Forsythe, and Ohad Naharin, among others. In addition to being
honored with many awards, he has also been invited by Vittoria Ottolenghi, Alessandra
Ferri, Maximiliano Guerra, and Alberto Testa to perform in prestigious galas.
As a singer, Mr. Capezzuto appers on L'Arpeggiata's recent recordings: Via
Crucis, Los Pájaros Perdidos, Mediterraneo, and Music for a
While: Improvisations on Purcell. He has performed at the Hong Kong Arts Festival,
Carnegie Hall, the BBC Proms in London, and the Théâtre du Châtelet in Paris. In November
2010, he was invited on a European tour as singer and dancer with the European Baroque
Orchestra, led by Ms. Pluhar. Mr. Capezzuto also has been featured on Il Pomo d'Oro's
recording of charming Venetian Baroque music, directed by Riccardo Minasi. He also
performed on the celebrated recording Ti amo anche se non so chi sei alongside
prestigious Italian singers Franco Battiato, Lucio Dalla, Massimo Ranieri, and Gianni
Morandi.