Part of: Perspectives: Daniil Trifonov
Join us immediately after this concert at Zankel Hall’s Parterre Bar for a 45-minute mix and mingle.
Perspectives: Daniil Trifonov
Grammy Award–winning Russian pianist and winner of Gramophone’s 2016 Artist of the Year award, Daniil Trifonov has made a spectacular ascent in the world of classical music as a solo artist, composer, champion of the concerto repertoire, and collaborator at the keyboard in chamber music and song. The Times (London) calls Mr. Trifonov “without question the most astounding pianist of our age.” His album Transcendental won the 2018 Grammy Award for Best Classical Instrumental Solo.
Focusing on Chopin during the 2017–2018 season, Mr. Trifonov releases Chopin Evocations—his fourth album as an exclusive Deutsche Grammophon artist—marking his first foray into a new repertoire with works of 20th-century composers who were greatly influenced by the Polish master, including Samuel Barber and Frederic Mompou.
Mr. Trifonov gives more than 20 performances on this theme across the US, Europe, and Asia, including three as part of his self-curated, seven-concert Perspectives series at Carnegie Hall: a solo recital and two all-Chopin programs with Kremerata Baltica. Additional concerts in the series include a recital with Matthias Goerne; a collaboration with Mr. Trifonov’s teacher Sergei Babayan; a performance of Mr. Trifonov’s own Piano Concerto with Valery Gergiev leading the Mariinsky Orchestra, culminating another US tour; and this evening’s solo recital that includes a seminal piece from each decade of the 20th century. Mr. Trifonov curates a similar series this season at Vienna’s Konzerthaus, as well as in San Francisco, concluding with a season-closing Rachmaninoff performance with the San Francisco Symphony.
Additional highlights of the 2017–2018 season include European tours with Gidon Kremer and Kremerata Baltica, as well as with the London Philharmonic Orchestra, Royal Concertgebouw Orchestra, and Orchestra del Teatro alla Scala. Mr. Trifonov’s orchestral appearances include Strauss’s Burleske with the Orquesta Nacional de España and Bavarian Radio Symphony Orchestra; Schumann’s Piano Concerto with Lisbon’s Gulbenkian Orchestra and the Berliner Philharmoniker; Scriabin’s Piano Concerto with the Seattle Symphony; a performance of his own Piano Concerto with the Detroit Symphony Orchestra; Prokofiev with the Mariinsky Orchestra and The Cleveland Orchestra; and Rachmaninoff with the Munich Philharmonic, Toronto Symphony Orchestra, and The Philadelphia Orchestra.