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  • Carnegie Hall Presents
  • ZH Zankel Hall
  • SA/PS Stern Auditorium / Perelman Stage
  • REW Resnick Education Wing
  • WRH Weill Recital Hall
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CARNEGIE HALL PRESENTS

Anna Netrebko, Soprano
Malcolm Martineau, Piano

Day and Night
Sunday, December 9, 2018 2 PM Stern Auditorium / Perelman Stage
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Anna Netrebko by Vladimir Shirokov, Malcolm Martineau by KK Dundas
Since her Mariinsky Opera debut, Anna Netrebko has enjoyed a meteoric rise to super stardom. Whether she is portraying one of Verdi's or Puccini’s passionate heroines, or completely inhabiting a role from Russian opera, Netrebko’s lustrous tone and electrifying stage presence always dazzle.
Malcolm Martineau is also performing October 23.

Performers

Anna Netrebko, Soprano
Malcolm Martineau, Piano
Jennifer Johnson Cano, Mezzo-Soprano
David Chan, Violin

Program

RACHMANINOFF "Lilacs," Op. 21, No. 5
RACHMANINOFF "Before my window," Op. 26, No. 10
RACHMANINOFF "How fair this spot," Op. 21, No. 7
RIMSKY-KORSAKOV "The lark sings louder," Op. 43, No. 1
R. STRAUSS "Morgen!" Op. 27, No. 4
DEBUSSY "Il pleure dans mon coeur" from Ariettes oubliées, No. 2
CHARPENTIER "Depuis le jour" from Louise
TCHAIKOVSKY "It was in the early spring," Op. 38, No. 2
TCHAIKOVSKY "Tell me, what in the shade of the branches," Op. 57, No. 1
BRIDGE "Go not, happy day"
LEONCAVALLO "Mattinata"
TCHAIKOVSKY "It is evening" from The Queen of Spades
RIMSKY-KORSAKOV "The clouds begin to scatter," Op. 42, No. 3
TCHAIKOVSKY "Frenzied nights," Op. 60, No. 6
R. STRAUSS "Die Nacht," Op. 10, No. 3
R. STRAUSS "Wiegenlied," Op. 41, No. 1
R. STRAUSS "Ständchen," Op. 17, No. 2
FAURÉ "Après un rêve," Op. 7, No. 1
DVOŘÁK "When my old mother taught me to sing," Op. 55, No. 4
RACHMANINOFF "The Dream," Op. 38, No. 5
MOORE "Gold is a fine thing" from The Ballad of Baby Doe
OFFENBACH Barcarolle from Les contes d’Hoffmann
TCHAIKOVSKY "Whether day dawns," Op. 47, No. 6

At a Glance

In this program, Anna Netrebko’s rich selection of songs and arias is grouped into two broad themes. The first half focuses on the brilliance of the daytime, especially the magical time of early morning. The second half shifts to music about night—its beauties and terrors as well as its enigmatic companion, the world of dreams.

The range of Ms. Netrebko’s selections is striking, encompassing music from the 19th and 20th centuries in five languages. She explores music by three of the leading composers of her native Russia—Tchaikovsky, Rimsky-Korsakov, and Rachmaninoff—but more unexpected are her excursions into the German language for the songs of Richard Strauss. Most surprising of all is her English-language choice of “Gold is a fine thing” (also known as the “Silver Aria”) from Moore’s American classic The Ballad of Baby Doe.

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