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Carnegie Hall Presents

Ensemble Connect

Friday, February 18, 2022 7 PM Arthur Zankel Music Center, Helen Filene Ladd Concert Hall
Ensemble Connect by Fadi Kheir

Performers

Ensemble Connect
- Yasmina Spiegelberg, Clarinet
- Nicholas Hooks, Bassoon
- Cort Roberts, French Horn
- Ruben Rengel, Violin
- Stephanie Zyzak, Violin
- Halam Kim, Viola
- Laura Andrade, Cello
- Lizzie Burns, Bass (Alum)

Program

CAROLINE SHAW Entr'acte

SCHUBERT Octet in F Major, D. 803

Listen to Selected Works

Ensemble Connect is a program of Carnegie Hall, The Juilliard School, and the Weill Music Institute in partnership with the New York City Department of Education.

Lead funding has been provided by Marina Kellen French and the Anna-Maria and Stephen Kellen Foundation, Max H. Gluck Foundation, Horace W. Goldsmith Foundation, Hearst Foundations, The Kovner Foundation, Phyllis and Charles Rosenthal, The Edmond de Rothschild Foundations, Beatrice Santo Domingo, and Hope and Robert F. Smith.

Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.

Additional support has been provided by the Alphadyne Foundation, Arnow Family Fund, the Mercedes T. Bass Charitable Corporation, Ronald E. Blaylock and Petra Pope, The Gladys Krieble Delmas Foundation, E.H.A. Foundation, Mr. and Mrs. Anthony B. Evnin and the A.E. Charitable Foundation, Barbara G. Fleischman, Clive and Anya Gillinson, Marc Haas Foundation, Stella and Robert Jones, Martha and Robert Lipp, Leslie and Tom Maheras, Andrew J. Martin-Weber, Lauren and Ezra Merkin, Beth and Joshua Nash, Rockefeller Brothers Fund, Susan and Elihu Rose Foundation, Melanie and Jean E. Salata, The Morris and Alma Schapiro Fund, Sarah Billinghurst Solomon and Howard Solomon, Joyce and George Wein Foundation, Inc., Linda Wachner, David S. Winter, and Judy Francis Zankel.

NYC Department of Education and New York State of Opportunity Council on the Arts

Public support is provided by the New York City Department of Education. 

Ensemble Connect is also supported, in part, by endowment grants from The Kovner Foundation and the Estate of Eleanor Doblin Unger.

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