Julien Labro bio
Julien Labro has been hailed as “the next accordion star” (Chicago Tribune) and “a triple threat: brilliant technician, poetic melodist, and cunning arranger.” Internationally recognized as one of the foremost bandoneon and accordion soloists, Labro brings unparalleled versatility to the concert stage—crossing effortlessly between classical, jazz, tango, and world music.
Born in France, Labro began playing the accordion at age nine, drawn early to the lyrical style of French chanson and traditional folk music. A devoted admirer of Astor Piazzolla, Labro took up the bandoneon after discovering Libertango, an influence that continues to shape his artistic voice. Today, he frequently performs with leading ensembles, award-winning artists, and has made appearances on major chamber series around the globe, presenting everything from original concertos and curated Piazzolla tributes to genre-defying crossover programs. Recent collaborators include the Boston Symphony Orchestra, New York Philharmonic, Met Orchestra Chamber Ensemble, New York City Ballet, Takács Quartet, Attacca Quartet, and Grammy Award–winning artists Maria Schneider, Cassandra Wilson, Jason Vieaux, and Miguel Zenón.
In 2025, Labro received a Latin Grammy nomination for Best Classical Composition for his work Meditation #1, premiered with the Takács Quartet. His discography—including Piazzolla, Infusion, and Rise & Grind—reflects a broad musical vision that connects with diverse audiences. He has also premiered new works by composers such as Bryce Dessner, Du Yun, Avner Dorman, Clarice Assad, and Angelica Negrón.
In addition to his performance career, Labro regularly leads master classes and residencies at institutions such as Princeton University, Oberlin Conservatory, and the Cleveland Institute of Music. Upcoming highlights include the premiere of a second bandoneon concerto—a sequel to El Fueye del Tiburón—as well as performances with top orchestras and presenters across the US and abroad.