Calder Quartet
Part of: United in Sound America at 250
Performers
Calder Quartet
- Benjamin Jacobson, Violin
- Tereza Stanislav, Violin
- Jonathan Moerschel, Viola
- Eric Byers, Cello
Program
PHILIP GLASS String Quartet No. 2, "Company"
JOHNSTON String Quartet No. 4, "Amazing Grace"
BARBER String Quartet
ANDREW NORMAN Sabina (arr. for string quartet)
PRICE String Quartet No. 2
Encore:
JOHNSTON Slow, Expressive from String Quartet No. 9
Event Duration
The printed program will last approximately 100 minutes, including one 20-minute intermission.Salon Encores
Join us for a free drink at a post-concert reception in Weill Recital Hall’s Jacobs Room.
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At a Glance
The canon of contemporary American composition encompasses a wide range of styles. Composers have embraced repeating melodies; chromaticism and alternate forms of tuning that yield surprising timbres; lyrical melodies influenced by the Classical and Romantic periods; folk traditions; extended techniques that expand the textural possibility of instruments; and much more. At the heart is a shared interest in experimenting with form and genre, a desire to open up new paths for written music.
The Calder Quartet’s United in Sound: America at 250 concert celebrates this variety with a program of preeminent American composers from the last hundred years who have each made significant contributions from a different perspective. Philip Glass is a trailblazer of musical minimalism; Ben Johnston embraced just intonation; Samuel Barber brought a Classical approach to post-war modernism; Andrew Norman composes textural music that interprets works of visual art and architecture; Florence Price broke ground with Romantic period–influenced compositions that infused African American culture. Each of the pieces on the program typifies the composer’s practice writ large, and together, they offer a survey of the ways American composers have approached writing for string quartet in the modern era.