Carnegie Hall

Theatre of Voices

When Theatre of Voices performed Stockhausen’s epic Stimmung at Carnegie Hall, The New York Times praised the ensemble's performance as “confident and luminous, controlled yet free …” Theatre of Voices returns to give the New York premiere of an Arvo Pärt work accompanied with a film by award-winning Danish director Phie Ambo. Paul Hillier, Theatre of Voices' artistic director, conducted the world premiere of David Lang’s the little match girl passion and the ensemble recorded it to tremendous acclaim. Both reacquaint themselves with Lang’s music in the writings—the world premiere of the complete cycle.

The Knights

A Vivaldi sinfonia, a chamber symphony by Thomas Adès, premieres of works co-commissioned by Carnegie Hall, and daring new takes on music from Middle East, Balkan, and klezmer sources—it’s just the kind of program audiences have grown to expect and love from The Knights, an ensemble acclaimed for its “voracious musical appetite” (Chicago Classical Review). This “adventurous orchestral collective” (The Baltimore Sun) is joined by Syrian clarinetist Kinan Azmeh for an eclectic musical journey.

American Composers Orchestra

American Composers Orchestra concerts “are always fascinating … frequently exhilarating forays into recent music—or music that was written decades ago but is still fresh” (Newsday). The orchestra performs a new work on the subject of migration by Pulitzer Prize–winning Chinese composer Du Yun, co-commissioned by Carnegie Hall. There’s also a Feldman work inspired by ancient manuscripts found along the Silk Road and Gloria Coates’s daring exploration of unconventional string tuning.

yMusic

Labels do not apply to yMusic. The sextet’s indie band aesthetic makes them ideal collaborators for such pop groups as the Dirty Projectors and Bon Iver, while also serving as energetic advocates for new works by exciting young composers. Those who attended their debut performance at Zankel Hall in 2017 will echo NPR and call them “one of the groups that has really helped to shape the future of classical music.” Come hear the future.