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Event is Live
Carnegie Hall Presents

Vienna Philharmonic Orchestra

Friday, February 25, 2022 8 PM Stern Auditorium / Perelman Stage

Please note that Yannick Nézet-Séguin will conduct the Vienna Philharmonic Orchestra in place of Valery Gergiev. Seong-Jin Cho will also replace pianist Denis Matsuev. The program remains unchanged.

Yannick Nézet-Séguin by Hans van der Woerd, Seong-Jin Cho by Christoph Köstlin
Experience the Rachmaninoff gold standard when one of the world’s greatest orchestras celebrates the gorgeous melodies and emotional power of two of his masterpieces. A repertoire favorite, Rachmaninoff’s Second Piano Concerto enchants the listener with its beautiful blend of ultra-Romantic passion and sparkling keyboard pyrotechnics. His Second Symphony is dramatic and ripe with lush lyricism—especially the breathtaking third movement. 

Part of: Carnegie Hall Live on WQXR

Due to last-minute artist substitutions, the scheduled live broadcast of the Vienna Philharmonic Orchestra at Carnegie Hall on February 25 will be recorded and aired at a later date.

Pre-Concert Safety Checklist

Performers

Vienna Philharmonic Orchestra
Yannick Nézet-Séguin, Conductor
Seong-Jin Cho, Piano

Program

RACHMANINOFF Piano Concerto No. 2

Symphony No. 2


Encore:

TCHAIKOVSKY October ("Autumn Song") from The Seasons, Op. 37a (Seong-Jin Cho)

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission. Please note there will be no late seating before intermission.
Ernst & Young Logo

Sponsored by Ernst & Young LLP

Major support for this concert is provided by the Audrey Love Charitable Foundation.

The Vienna Philharmonic Residency at Carnegie Hall is made possible by a leadership gift from the Mercedes T. Bass Charitable Corporation.

Rolex is the Exclusive Partner of the Vienna Philharmonic Orchestra.

At a Glance

This all-Rachmaninoff concert presents two of the Russian composer’s most popular and enduring works, both composed before his immigration to the United States. The Second Piano Concerto is one of the most beloved concertos in the repertoire, endlessly quoted in popular culture and championed by numerous virtuoso pianists despite its treacherous technical demands. It has a seemingly effortless spontaneity and is full of memorable tunes, yet Rachmaninoff was suffering from severe clinical depression when he wrote it and was only able to complete it with the help of his therapist, Dr. Nikolai Dahl, to whom he dedicated the concerto when he premiered it in 1901. The Second Symphony is similarly over-the-top in its melodic generosity; indeed, it is the most sumptuous of the composer’s three symphonies. The orchestration is lush and the melodies and harmonies distinctively Russian. It is a grandiose summation of Rachmaninoff’s aesthetic before he moved to the United States.

Bios

Yannick Nézet-Séguin

Yannick Nézet-Séguin is music director of The Philadelphia Orchestra and the Metropolitan Opera. His intensely collaborative style, deeply rooted musical curiosity, and ...

Yannick Nézet-Séguin is music director of The Philadelphia Orchestra and the Metropolitan Opera. His intensely collaborative style, deeply rooted musical curiosity, and boundless enthusiasm have been heralded by critics and audiences alike. Yannick has been artistic director and principal conductor of the Orchestre Métropolitain de Montréal since 2000, and in 2017 he became an honorary member of the Chamber Orchestra of Europe. He also served as music director of the Rotterdam Philharmonic Orchestra, where he is now an honorary conductor. In 2018, he signed an exclusive recording contract with Deutsche Grammophon.

Yannick has worked with many leading European ensembles and has enjoyed many close collaborations with the Vienna Philharmonic Orchestra, Berliner Philharmoniker, and Bavarian Radio Symphony Orchestra, as well as the London Philharmonic Orchestra, of which he was principal guest conductor from 2008 to 2014. He has appeared several times at the BBC Proms and many European festivals, among them Edinburgh, Lucerne, Salzburg, and Grafenegg. North American festival appearances include New York’s Mostly Mozart, Lanaudière, and Bravo! Vail. Once chorus master, assistant conductor, and music adviser at Opéra de Montréal, he has since conducted at the Vienna State Opera, Teatro alla Scala, and Royal Opera House, Covent Garden.

A native of Montreal, Yannick studied piano, conducting, composition, and chamber music at Montreal’s Conservatoire de musique du Québec and continued his studies with renowned conductor Carlo Maria Giulini; he also studied choral conducting with Joseph Flummerfelt at Westminster Choir College. Among Yannick’s honors are an appointment as Companion of the Order of Canada; Companion to the Order of Arts and Letters of Quebec; an Officer of the Order of Quebec; an Officer of the Order of Montreal; Musical America’s 2016 Artist of the Year; ECHO Klassik’s 2014 Conductor of the Year; a Royal Philharmonic Society Award; Canada’s National Arts Centre Award; the Virginia Parker Prize; the Prix Denise-Pelletier; the Oskar Morawetz Award; and honorary doctorates from the Université du Quebec, Curtis Institute of Music, Westminster Choir College of Rider University, McGill University, Université de Montréal, University of Pennsylvania, and Laval University.

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Seong-Jin Cho

With an overwhelming talent and innate musicality, Seong-Jin Cho has made his mark as one of the consummate talents of his generation. His thoughtful and poetic, assertive and tender, ...

With an overwhelming talent and innate musicality, Seong-Jin Cho has made his mark as one of the consummate talents of his generation. His thoughtful and poetic, assertive and tender, virtuosic and colorful playing combine panache with an impressive natural sense of balance.

Mr. Cho was brought to the world’s attention in 2015 when he won the first prize at the International Chopin Piano Competition in Warsaw. The following January, he signed an exclusive recording contract with Deutsche Grammophon. An artist in high demand, Mr. Cho works with the world’s most prestigious orchestras, including the Berliner Philharmoniker, London Symphony Orchestra, Munich Philharmonic, Deutsches Symphonie-Orchester Berlin, Orchestre de Paris, and The Philadelphia Orchestra. He has collaborated with conductors Yannick Nézet-Séguin, Myung-Whun Chung, Iván Fischer, Jakub Hrůša, Gianandrea Noseda, Sir Antonio Pappano, and Esa-Pekka Salonen.

Highlights of Mr. Cho’s 2021–2022 season include debuts with the Leipzig Gewandhaus Orchestra, Bamberg Symphony, and Mozarteum Orchestra Salzburg. He also returns to the Los Angeles and New York philharmonics. An active recitalist, he performs in many of the world’s most prestigious concert halls.

Born in 1994 in Seoul, Mr. Cho started studying piano at the age of six and gave his first public recital at 11. In 2009, he became the youngest-ever winner of Japan’s Hamamatsu International Piano Competition. In 2011, he won third prize at the International Tchaikovsky Competition in Moscow. From 2012 to 2015, Mr. Cho studied with Michel Béroff at the Conservatoire National Supérieur de Musique de Paris. He is now based in Berlin.

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Vienna Philharmonic Orchestra

There is perhaps no other musical ensemble more closely associated with the history and tradition of European classical music than the Vienna Philharmonic Orchestra. Over the past 179 ...

There is perhaps no other musical ensemble more closely associated with the history and tradition of European classical music than the Vienna Philharmonic Orchestra. Over the past 179 years, the orchestra has experienced and influenced the course of music history around the world, and to this day, prominent soloists and conductors refer to the unique “Viennese Sound” that sets it apart from other orchestras. 

Since its founding by Otto Nicolai in 1842, the orchestra has held a fascination for composers and conductors because of its conscious maintenance of a consistent musical style that is carefully bequeathed from one generation to the next, as well as its unique history and organizational structure. The two pillars of the orchestra’s “Philharmonic Idea” are a democratic structure that places the entire artistic and organizational decision-making process in the hands of the musicians themselves, and a close symbiotic relationship with the Vienna State Opera Orchestra. Vienna Philharmonic statutes stipulate that only musicians from the opera orchestra can become members of the philharmonic. The orchestra itself is solely responsible for the organization of concerts and the selection of repertoire, as well as the engagement of conductors and soloists. 

In 1860, the Vienna Philharmonic introduced the Subscription Concert series, for which one conductor leads an entire season. Beginning in 1933, the orchestra created a system of engaging guest conductors that promotes a wide spectrum of artistic encounters with the most prominent conductors of each generation. Touring activities began at the turn of the 20th century and have since taken the orchestra to every continent. In recent years, this has included regularly scheduled concerts in Germany, Japan, the US, and China. 

From the beginning, the orchestra has displayed a strong social mission characterized by a commitment to individuals in need and the fostering of young musicians. In 2018, the Vienna Philharmonic Orchestra Academy was founded. The academy students are selected in accordance with a strict, internationally oriented audition process, and trained at the highest level during a two-year course of study. The orchestra also engages its humanitarian spirit by performing benefit concerts and developing initiatives for disadvantaged people. 

The Vienna Philharmonic performs approximately 40 concerts in Vienna annually, among them the New Year’s Concert and Summer Night Concert Schönbrunn, which are broadcast around the world. The orchestra also has an annual summer residency at the Salzburg Festival and performs more than 50 concerts a year on its international tours. Since 2008, it has been supported by its exclusive sponsor, Rolex.

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