• Audition Video Guidelines


    Your audition video is a key element of your application to NYO-USA and/or NYO2. Please see the sample video above, based on the NYO-USA 2013 clarinet excerpts, for reference, bearing in mind there are many recording environments and a wide range of equipment that will produce a successful video. An NYO2 audition will have somewhat different content based on those requirements.

    If you do not have access to video equipment or space with a piano needed to make an audition video, you may wish to ask if your teacher, school, or orchestra/ensemble program is able to help you support your application. Should you need additional assistance, please contact NYO-USA staff at nyo-usa@carnegiehall.org, nyo2@carnegiehall.org, or 212-424-2024. We will be happy to work with you so that you will have the opportunity to record your audition successfully. For questions about uploading videos, DecisionDesk offers technical support that you can access at any time while logged into the NYO-USA or NYO2 application.  

    Where possible, we encourage you to keep the following in mind when making the recording:

    1. Consider lighting, framing, and camera placement. Film in a well-lit space and be sure that there is more lighting in front than from behind. Place the camera so that you, your instrument, and your full range of motion are in the frame at all times, and so we can see both you and your pianist during the accompanied work, if applicable. Choose a medium distance that shows as much detail as possible while still allowing the image to be framed as described above. 
    2. Try to place the camera on a tripod or flat surface when shooting. 
    3. Test the audio level so that there is no distortion during the loudest passages of your selections, and so the softest portions can be heard. If possible, consider using an external microphone connected to your camera to record your playing and speaking. 
    4. Prior to recording your audition video, clean and/or adjust your instrument to be sure it is in the best possible condition. You may wish to ask your music teacher or a professional repair person to look at your instrument to assist with any necessary adjustments. 
    5. While it is not necessary to use a grand piano for the accompanied segment, please be sure the instrument is in good tune before recording. 
    6. Other than stopping and starting the camera between segments, no editing of the audio or video is permitted. Applicants whose videos show evidence of any cuts, splicing, manipulation of pitch or other alteration within a performance segment will be subject to disqualification. Please note the selection of a complete, unedited performance segment from multiple takes is permissible. 
    7. You will be uploading your video files using our online application service (DecisionDesk). The following common digital formats are accepted: AVI, M4V, MP4, MOV, MPG, WMV. File sizes up to 5 GB are accepted. We recommend using a format and resolution that is consistent with high quality internet video. 
    8. For ease of recording and uploading, we recommend recording your audition video in segments, which should be uploaded as individual files according to the instruction to be found within the application.

      The required segments can be found here:

    9. If you are not familiar with the required orchestral excerpts for NYO-USA or NYO2, we encourage you to look at the score and/or listen to the work from which they are drawn to help prepare for your audition recording. Our selection panelists will be listening for accuracy of rhythm, pitch, and dynamics, as well as for musical expression and a sense of how the excerpt relates to the larger work. 
  • The application period for 2017 has ended. Stay tuned for updates about the 2018 program.

  • NYO-USA Supporting Sponsor:

    PepsiCo Foundation (2017)

    Additional funding has been provided by The Jack Benny Family Foundation; JMCMRJ Sorrell Foundation; and Jolyon Stern and Nelle Nugent.

    Founder Patrons: Blavatnik Family Foundation; Nicola and Beatrice Bulgari; The Horace W. Goldsmith Foundation; Marina Kellen French and the Anna-Maria and Stephen Kellen Foundation; The Harold W. McGraw, Jr. Family Foundation; Ronald O. Perelman; Robertson Foundation; Beatrice Santo Domingo; Robert F. Smith; Sarah Billinghurst Solomon and Howard Solomon; and Joan and Sanford I. Weill and the Weill Family Foundation.

    Blavatnik Family Foundation (2017)