Elīna Garanča, Mezzo-Soprano
Kevin Murphy, Piano
Due to a death in his family, pianist Malcolm Martineau has regretfully withdrawn from this performance. Kevin Murphy will perform in his place.
Elīna Garanča is also performing June 14.
Performers
Elīna Garanča, Mezzo-Soprano
Kevin Murphy, Piano
Program
SCHUMANN Selections from Myrthen, Op. 25
·· "Widmung"
·· "Der Nussbaum"
·· "Jemand"
·· "Lieder der Braut aus dem Liebesfrühling I"
·· "Lieder der Braut aus dem Liebesfrühling II"
WAGNER Wesendonck Lieder
RAVEL Shéhérazade
FALLA Siete canciones populares españolas
Encores:
VĪTOLS "Aizver actiņas un smaidi"
BIZET "L'amour est un oiseau rebelle" (Habanera) from Carmen
SAINT-SAËNS "Mon coeur s'ouvre à ta voix" from Samson et Dalila
At a Glance
The first half of this evening’s program is devoted to German cycles that were written in the heat of the composers’ passionate love affairs. For years, Schumann waged a public battle to win Clara Wieck’s hand over the objections of her father, who ultimately took the composer to court in a vain effort to prevent the marriage. Schumann’s song cycle Myrthen was a bridal gift to Wieck just before their wedding in 1840. Far more clandestine was Wagner’s adulterous love for Mathilde Wesendonck, the wife of his Swiss benefactor while he was writing Tristan und Isolde. Wagner’s sumptuous Wesendonck Lieder set Wesendonck’s hothouse poetry and included test pieces for Tristan und Isolde’s radical score.
The French and the Spanish share a deep fascination with each other’s music. On the second half of this evening’s program, we hear song cycles by Ravel and Falla, who became close friends in Paris in the first decades of the 20th century. Ravel’s Shéhérazade exemplifies the French love of foreign cultures, while Falla’s Siete canciones populares españolas depict a Spaniard re-embracing his native land after absorbing the flavors of France.