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Event is Live
Carnegie Hall Presents

Vienna Philharmonic

Saturday, March 4, 2023 8 PM Stern Auditorium / Perelman Stage
Christian Thielemann by Marco Borrelli
The Vienna Philharmonic opens with Felix Mendelssohn’s Hebrides Overture, a self-contained masterpiece dreamt up in wonderment upon visiting the Scottish archipelago. It pairs wonderfully with his evocative “Scottish” Symphony, which he began composing just days before Hebrides, eventually becoming his final completed symphony. Rounding out the program is Brahms’s Second Symphony, with its lyrical and relatively sunny demeanor drawing frequent comparisons to Beethoven’s “Pastoral” Symphony.

Performers

Vienna Philharmonic
Christian Thielemann, Conductor

Program

FELIX MENDELSSOHN Hebrides Overture, Op. 26

FELIX MENDELSSOHN Symphony No. 3, "Scottish"

BRAHMS Symphony No. 2


Encore:

EDUARD STRAUSS Mit Extrapost (Polka schnell), Op. 259

Event Duration

The printed program will last approximately two hours, including one 20-minute intermission.

Listen to Selected Works

Major support for this concert is provided by the Audrey Love Charitable Foundation.
The Vienna Philharmonic Residency at Carnegie Hall is made possible by a leadership gift from the Mercedes T. Bass Charitable Corporation.
Rolex is the Exclusive Partner of the Vienna Philharmonic.

At a Glance

This concert presents three masterpieces of 19th-century Romanticism, two by Felix Mendelssohn, an early master of the aesthetic, and one by Brahms, one of its last standard-bearers. Mendelssohn wrote both the Hebrides Overture and the “Scottish” Symphony following an inspirational trip to Scotland in 1829 when he was only 20, though he put off completing the symphony until 1842. Both works have an aura of mystery, and both have Mendelssohn’s signature refinement. Brahms was a huge admirer of Mendelssohn, going so far as to say, “I would gladly give all I have written to have composed something like the Hebrides Overture.” Like Mendelssohn, he was a Romantic who stuck with Classical structures, including sonata form. The Second is the most mellow and spontaneous of his four symphonies, yet written with his characteristic formal rigor. The orchestration has a crystalline transparency, and the brassy fourth movement is the composer’s most viscerally exciting finale, rivalling the thrilling coda at the end of the “Scottish” Symphony.

Bios

Vienna Philharmonic

There is perhaps no other musical ensemble more closely associated with the history and tradition of European classical music than the Vienna Philharmonic. Over the past 180 years, the ...

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Christian Thielemann

Since the 2012–2013 season, Christian Thielemann has been the principal conductor of the Staatskapelle Dresden. In 1988, following engagements in Gelsenkirchen, Karlsruhe, Hanover, ...

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