Johan Dalene, Violin
Sahun Sam Hong, Piano
Please note that pianist Giorgi Gigashvili is unable to appear as originally scheduled due to visa-related issues. Sahun Sam Hong will perform in his place.
Performers
Johan Dalene, Violin
Sahun Sam Hong, Piano
Program
ARVO PÄRT Fratres
LERA AUERBACH Selections from 24 Preludes for Violin and Piano, Op. 46
·· Prelude No. 3 in G Major
·· Prelude No. 4 in E Minor
·· Prelude No. 8 in F-sharp Minor
GRIEG Violin Sonata No. 3 in C Minor, Op. 45
BRAHMS Violin Sonata No. 3 in D Minor
RAVEL Violin Sonata No. 2 in G Major
Encore:
L. BOULANGER Nocturne from Two Pieces for Violin and Piano
Event Duration
The printed program will last approximately two hours, including one 20-minute intermission.At a Glance
ARVO PÄRT Fratres
The radically stripped-down musical language of Estonian composer Arvo Pärt grew out of his study of chant and early vocal polyphony. Fratres illustrates his long-term project of distilling musical materials and expression to their essence.
LERA AUERBACH Selections from 24 Preludes for Violin and Piano, Op. 46
Lera Auerbach’s preludes continue a tradition that goes back to J. S. Bach’s canonic preludes and fugues in all 24 major and minor keys. Firmly grounded in tonality, her miniature tone poems are notable for their novel and captivating sonorities.
GRIEG Violin Sonata No. 3 in C Minor, Op. 45
Grieg’s last violin sonata has long been recognized as a masterpiece of the first order. The composer himself introduced it at Leipzig’s Gewandhaus in 1877 with Russian violinist Adolph Brodsky, who had premiered Tchaikovsky’s Violin Concerto six years earlier.
BRAHMS Violin Sonata No. 3 in D Minor, Op. 108
Brahms was in his mid-50s when he wrote the last of his three violin sonatas. Dark and impassioned, the music may allude to the platonic love affair Brahms had long carried on with pianist-composer Clara Schumann after her husband, Robert, passed away.
RAVEL Violin Sonata No. 2 in G Major
Hints of W. C. Handy and George Gershwin spice up Ravel’s bluesy G-Major Sonata, written in the mid-1920s. Three decades separate it from his first essay in the genre, a student work that remained unpublished until the centenary of his birth in 1975.