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NYO-USA Audition Excerpts

Please see below for a list of required excerpts by instrument for NYO-USA’s 2026 application.

As always, if you are unfamiliar with any of the works, or with performing excerpts in general, we encourage you to listen to recordings of the pieces and bring the excerpts to your private instructors or ensemble leaders for their input.

Violin

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Bartók: Concerto for Orchestra, fifth movement: fugue, measures 265–317, top line (second violin)
Brahms: Symphony No. 1, second movement, rehearsal E–F
Mozart: Symphony No. 39, fourth movement, beginning–downbeat of measure 41
Price: Symphony No. 3, third movement (Juba), measures 62–93

Viola

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Jessie Montgomery: Strum, measures 37–44
Shostakovich: Symphony No. 5, first movement, 2 measures after rehearsal 15–rehearsal 17
Tchaikovsky: Symphony No. 6, first movement, measures 19–63 and 86–88

Cello

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Beethoven: Symphony No. 5, third movement, measures 1–79
Brahms: Piano Concerto No. 2, third movement, opening–downbeat of measure 9 (solo line only)
Felix Mendelssohn: A Midsummer Night’s Dream, Scherzo, rehearsal C–rehearsal D

Bass

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Beethoven: Symphony No. 5, third movement, Trio, pickup to measure 141 – 218 (no repeat)
Brahms: Symphony No. 1, first movement, measures 157–189
Haydn: Symphony No. 31, fourth movement, Variation VII (top line, no repeat)
Jessie Montgomery: Coincident Dances, beginning–measure 12 and measures 17–20

Flute

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Beethoven: Leonore Overture No. 3, measures 328–360
Brahms: Symphony No. 4, fourth movement, measures 89–105
Stravinsky: Firebird Suite (1919 version), “Variation de l’oiseau de feu”
John Williams: Hagrid’s Friendly Bird, measures 129–151

PICCOLO
Ippolitov-Ivanov: Caucasian Sketches, Suite No. 1, “Procession of the Sardar,” measures 3–19

Oboe

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Bartók: Concerto for Orchestra, second movement, measures 25–44
Felix Mendelssohn: Symphony No. 3, second movement, measures 32–67
Tchaikovsky: Swan Lake, Act II, No. 10, measures 1–19

ENGLISH HORN
Dvořák: Symphony No. 9, second movement, measures 7–18

Clarinet

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Debussy: Prélude à l’après-midi d’un faune, rehearsal 3–rehearsal 4 and rehearsal 6–5 measures after rehearsal 7 (top line)
Gershwin: Rhapsody in Blue, beginning–rehearsal 2
Kodály: Dances of Galánta, measures 31–65

E-FLAT CLARINET
Berlioz: Symphonie fantastique, “Hexensabbat,” rehearsal 63–6 measures after rehearsal 64

BASS CLARINET
Grofe: Grand Canyon Suite, third movement (“On the Trail”), 8 measures before rehearsal 3–Vivo

Bassoon

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Bartók: Concerto for Orchestra, second movement, measures 8–24 and 164–181
Brahms: Violin Concerto, second movement: Adagio, measures 1–32 (bassoon 2)
Mozart: Symphony No. 41, first movement, measures 105–120
Rimsky-Korsakov: Scheherazade, second movement, measure 5 (Andantino)–rehearsal A and rehearsal L–rehearsal M

CONTRABASSOON
Shostakovich: Symphony No. 5, second movement, rehearsal 65–9 measures after rehearsal 68

Horn

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Brahms: Symphony No. 3, third movement, one measure before rehearsal F–12 measures after rehearsal F
Price: Symphony No. 1, third movement, measures 80–97 (third horn), and fourth movement, measures 97–105 (first horn)
R. Strauss: Till Eulenspiegels lustige Streiche, 9 measures before rehearsal 31–2 measures after rehearsal 33
Shostakovich: Symphony No. 5, first movement, rehearsal 17–21

Trumpet

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G. Mahler: Symphony No. 5, first movement, opening solo
Price: Symphony No. 1, second movement, beginning–measure 28
Ravel: Piano Concerto in G major, first movement, rehearsal 2–rehearsal 3
Tchaikovsky: Swan Lake, Neopolitan Dance, beginning–rehearsal 2

Trombone

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Berlioz: Hungarian March from La damnation de Faust, 6 measures before rehearsal 20–2 measures after rehearsal 21 (second trombone)
Bernstein: Symphonic Dances from West Side Story, “Mambo,” measures 498–541
G. Mahler: Symphony No. 3, first movement, rehearsal 13–rehearsal 17

Bass Trombone

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Berlioz: Hungarian March from La damnation de Faust, measures 89–114
Haydn: The Creation, No. 26, beginning–rehearsal C
Wagner: Das Rheingold, Scene IV: “Entrance of the Gods to Valhalla”

Tuba

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Jennifer Higdon: Percussion Concerto, measures 142–148 and measures 269–277
Hindemith: Symphonic Metamorphosis after Themes by Carl Maria von Weber, second movement, 5 measures after rehearsal L–rehearsal N
Holst: The Planets, fourth movement (“Jupiter, the Bringer of Jollity”), measures 16–427 and measures 262–274

Timpani and Percussion

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Timpani

Carlos Simon: Tales: A Folklore Symphony, third movement (“Go Down Moses”), measures 255–267
Hindemith: Symphonic Metamorphosis after Themes by Carl Maria von Weber, second movement, rehearsal S–T and 2 measures before rehearsal Z–end

Xylophone

Kabalevsky: Overture to Colas Breugnon
Price: Symphony No. 3, third movement (Juba), measures 151–165

Snare Drum

Timothy Adams: “Small Talk,” first page
Rimsky-Korsakov: Scheherazade, third movement, rehearsal D–rehearsal E and fourth movement, rehearsal P–rehearsal U

Glockenspiel

Respighi: Pines of Rome, first movement

Tambourine

Bizet: “Aragonaise” from Carmen Suite No. 1, beginning–17 measures after rehearsal B

Cymbals

Dvořák: Scherzo capriccioso, Op.66, rehearsal Q–end

Harp

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Berlioz: Symphonie fantastique, second movement, beginning–4 measures after rehearsal 23
Britten: The Young Person’s Guide to the Orchestra, Variation I and Fugue
Debussy: Prélude à l’après-midi d’un faune, rehearsal 2–rehearsal 4 and 5 measures after rehearsal 7–5 measures before rehearsal

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