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NYO2 Audition Excerpts

Please see below for a list of required excerpts by instrument for NYO2’s 2026 application.

As always, if you are unfamiliar with any of the works, or with performing excerpts in general, we encourage you to listen to recordings of the pieces and bring the excerpts to your private instructors or ensemble leaders for their input.

Violin

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Bartók: Concerto for Orchestra, fifth movement: fugue, measures 265–317, top line (second violin)
Mozart: Symphony No. 39, fourth movement, beginning–downbeat of measure 41
Price: Symphony No. 3, third movement (Juba), measures 1–16

Viola

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Jessie Montgomery: Strum, measures 37–44
Tchaikovsky: Symphony No. 6, first movement, measures 19–63 and 86–88

Cello

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Beethoven: Symphony No. 5, third movement, measures 1–79
Valerie Coleman: Umoja, measures 475–509
Tchaikovsky: Symphony No. 6, second movement, measures 1–16 (no repeat)

Bass

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Brahms: Symphony No. 1, first movement, measures 157–189
Jessie Montgomery: Coincident Dances, beginning–measure 12 and measures 17–20

Flute

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Brahms: Symphony No. 4, fourth movement, measures 89–105
Dvořák: Symphony No. 8, fourth movement, rehearsal D–rehearsal E (with repeats)

PICCOLO
Ippolitov-Ivanov: Caucasian Sketches, Suite No. 1, “Procession of the Sardar,” measures 3–19

Oboe

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Beethoven: Symphony No. 3, second movement, measures 8–16 and 36–47
Felix Mendelssohn: Symphony No. 3, second movement, measures 32–67

ENGLISH HORN
Dvořák: Symphony No. 9, second movement, measure 7–18

Clarinet

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Debussy: Prélude à l’après-midi d’un faune, rehearsal 3–rehearsal 4 and rehearsal 6–5 measures after rehearsal 7 (top line)
Gershwin: Rhapsody in Blue, beginning–rehearsal 2
Puccini: Tosca, Act III: Solo, rehearsal 11–12

E-FLAT CLARINET
Berlioz: Symphonie fantastique, “Hexensabbat,” rehearsal 63–6 measures after rehearsal 64

BASS CLARINET
Grofe: Grand Canyon Suite, third movement (“On the trail”), 8 measures before rehearsal 3–Vivo

Bassoon

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Mozart: Symphony No. 41, first movement, measures 105–120
Rimsky-Korsakov: Scheherazade, second movement, measure 5 (Andantino)–rehearsal A
Tchaikovsky: Symphony No. 4, second movement, measure 274–end

CONTRABASSOON
Shostakovich: Symphony No. 5, second movement, rehearsal 65–9 measures after rehearsal 68

Horn

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Price: Symphony No. 1, third movement, measures 80–97 (third horn) and fourth movement, measures 97–105 (first horn)
R. Strauss: Till Eulenspiegels lustige Streiche, measures 6–20
Shostakovich: Symphony No. 5, first movement, rehearsal 17–rehearsal 21

Trumpet

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Price: Symphony No. 1, second movement, beginning–measure 28
Ravel: Piano Concerto in G major, first movement, rehearsal 2–rehearsal 3
Tchaikovsky: Swan Lake, Neopolitan Dance, beginning–rehearsal 2

Trombone

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Berlioz: Hungarian March from La damnation de Faust, 6 measures before rehearsal 20–2 measures after rehearsal 21 (second trombone)
Bernstein: Symphonic Dances from West Side Story, “Mambo,” measures 498–541
Saint-Saëns: Symphony No. 3, first movement, rehearsal Q–2 measures before rehearsal R

Bass Trombone

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Berlioz: Hungarian March from La damnation de Faust, 6 measures before rehearsal 4–2 measures after rehearsal 5
Haydn: The Creation, No. 26, beginning–rehearsal C

Tuba

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Hindemith: Symphonic Metamorphosis after Themes by Carl Maria von Weber, second movement, 5 measures after rehearsal L–rehearsal N
Holst: The Planets, fourth movement (“Jupiter the Bringer of Jollity”), measure 16–4 after rehearsal 1 and 4 measures after rehearsal 11–5 before rehearsal 12
G. Mahler: Symphony No. 1, third movement, 4 measures before rehearsal 3–3 measures before rehearsal 5

Timpani and Percussion

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Timpani

Hindemith: Symphonic Metamorphosis after Themes by Carl Maria von Weber, second movement, rehearsal S–T and 2 measures before rehearsal Z–end

Xylophone

Kabalevsky: Overture to Colas Breugnon

Snare Drum

Timothy Adams: “Small Talk,” first page
Rimsky-Korsakov: Scheherazade, third movement, rehearsal D–E and fourth movement, rehearsal P–rehearsal U

Glockenspiel

Respighi: Pines of Rome, first movement

You may choose either the tambourine or cymbals excerpt.

Tambourine

Bizet: “Aragonaise” from Carmen Suite No. 1, beginning–17 measures after rehearsal B

Cymbals

Dvořák: Scherzo capriccioso, Op.66, rehearsal Q–end

Harp

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Berlioz: Symphonie fantastique, second movement, beginning–4 measures after rehearsal 23
Britten: The Young Person’s Guide to the Orchestra, Variation I and Fugue

Orchestral Keyboard

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Bernstein: Symphonic Dances from West Side Story, Mambo, bars 400–448
Respighi: Pines of Rome, first movement, beginning -10 measures before rehearsal 4
Respighi: Pines of Rome, third movement, rehearsal 16 -end

Lead Donors: Hope and Robert F. Smith, The Kovner Foundation, and Beatrice Santo Domingo.

Public support for NYO2 is provided by Senate Leader Charles E. Schumer and Senator Kirsten Gillibrand through the U.S. Department of Education.

Global Ambassadors: Michael ByungJu Kim and Kyung Ah Park, Hope and Robert F. Smith, and Maggie and Richard Tsai.
Pershing Square Foundation
Major support for NYO2 is provided by Veronica Atkins, Ronald E. Blaylock and Petra Pope, the Mark and Anla Cheng Kingdon Foundation, Clive and Anya Gillinson, Pershing Square Philanthropies, Melanie and Jean E. Salata, and the Victor and William Fung Foundation. 
United Airlines
United Airlines®, Airline Partner to the National Youth Ensembles.
Founder Patron: Beatrice Santo Domingo.
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With additional funding provided by Sarah Arison, Ernst & Young LLP, Mary I. and John E. Hull, and The Laufey Foundation.

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